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Timm Rautert (Bilingual edition)

Bildanalytische Photographie / Image-Analytical Photography, 1968–1974
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Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Timm Rautert (Bilingual edition) explores the foundational elements of photographic practice through a curated collection of analogue black-and-white and colour photographs, image-text compilations, manuals, and various photographic materials produced between 1968 and 1974. This volume reveals the process from photographic act to image development and presentation, inviting reflection on photography's role as a medium and its influence on perception. The works include scenic images, passport photos, lab experiments, and even non-photographic items such as grey cards and postcards, all contributing to an analytical examination of photography's possibilities.
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Format: Hardback
$13000
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This book is ideal for students, practitioners, and enthusiasts of photography and visual arts interested in deepening their understanding of the medium's technical and conceptual foundations.

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Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Timm Rautert's Bildanalytische Photographie [Image-Analytical Photography], from 1968 to 1974, highlights the fundamental conditions of photographic work—from the photographic act and the development of photographic images under an enlarger in the lab to the various possibilities of presentation.

A systematically elaborated ensemble of analogue black-and-white and colour photographs, image-text compilations, and manuals and photographic material provokes elementary questions about what photography means as a medium, what is expected from it, and how it has shaped the perception of the world.

Scenic black-and-white photographs, passport photos, lab experiments, and combinations of selected photo prints with their negatives are found here among Rautert's 56 works. The collection also includes non-photographic material such as a grey card (used for measuring light mainly in photo studios), postcards, and graphic manuals. Each work becomes an element of "analysis" showing the numerous potential scenarios of photography.

"I wanted to trace photography to the conditions of photography. I no longer wanted to say: that's how it is or that's what it looks like, rather, I wanted to say: that's how it is with photography, and then I started my photography experiments." — Timm Rautert, 2005

Exhibition: Museum Folkwang, Essen, 2021

Book Details

INFORMATION

ISBN: 9783958294868

Publisher: Steidl Publishers

Format: Hardback

Date Published: 11 June 2020

Country: Germany

Imprint: Steidl Verlag

Illustration: 172 Illustrations

Contributors:

  • Text by Bertram Kaschek
  • Text by Steffen Siegel
  • Edited by Staatliche Kunstsammlungen Dresden
  • Edited by Stephanie Buck
  • Edited by Linda Conze
  • Edited by Rebecca Wilton
  • Text by Christina Natlacen

Audience: General / adult

DIMENSIONS

Width: 240.0mm

Height: 320.0mm

Weight: 1400g

Pages: 164

Collections

Arts & Culture Non-Fiction Photography Books

About the Author

Born 1941 in Tuchel, West Prussia, in 1941, Timm Rautert studied photography with Otto Steinert at the Folkwang School of Design in Essen in the 1960s. Starting in the 1970s, he mainly concentrated on photojournalism and documentary work, and in 1993 he was appointed professor of photography at the Academy of Visual Arts in Leipzig, where he taught until 2008. In the same year, he was the first photographer to receive the Lovis Corinth Prize. His books with Steidl include When We Don't See You, You Don't See Us Either (2007), No Photographing (2011), Josef Sudek, Prague 1967 (2016), Vintage (2017),Germans in Uniform (2018) and Anfang/Beginnings (2019).

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