Oloid

This monograph shows how the oloid, a timelessly beautiful geometric body, serves today more than ever as a source of inspiration and functional component in the visual arts and design, in technology and research, in architecture, philosophy, and music.

In 1929, the sculptor, inventor, and researcher Paul Schatz (1898-1971) discovered the geometric form of the oloid. Schatz's lifework was characterised by this fundamentally new body, which emerged from movement. For a number of decades, he sought and found new and pioneering applications for it.

This monograph, rich in images and generally understandable, shows how today, more than ever, the timelessly beautiful oloid serves as a source of inspiration and a functional element in fields such as the fine arts and design, technology and research, architecture, philosophy, or music.

Close aesthetic references to the contemporaneous sculptures of Naum Gabo, Constantin Brancusi, or Henry Moore are just as surprising as current homages to Paul Schatz by artists such as Ólafur Elíasson. As simple as it is complex, and at the same time elegant and powerful, the oloid proves to be a universal body that has not yet revealed all its secrets and potential.