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Griffith Review 93

Into the Archive
Series: Griffith Review
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Brief Description
The archive has long been a form of collection, preservation and communication. As the internet and social media reshape what, why and how we record information, whether for personal or institutional means, the nature of the archive itself is also in flux. How does the archive... Read More
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This edition of Griffith Review goes on the record to reveal the spoils and surprises of the archive.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

The archive has long been a form of collection, preservation and communication. As the internet and social media reshape what, why and how we record information, whether for personal or institutional means, the nature of the archive itself is also in flux.

How does the archive mediate the relationship between public and private space? How do archives shape individual and collective memory? Should the archivist preserve without intervention? What will the archives of the future look like? And in what ways do other mediums – bodies, places, cultures – act as their own kinds of archive?

This edition of Griffith Review goes on the record to reveal the spoils and surprises of the archive.

Series: Griffith Review

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  • Griffith Review 79: Counterfeit Culture
    'A faker,' said Orson Welles, 'makes fools of the experts. So, who's the expert? Who's the faker?' Griffith Review 79 lifts the curtain on fakes, frauds and forgeries. Treading the tightrope between art and lies, it explores the appeal of stories, objects, bodies or experiences that offer the false promise of authenticity. How do we discern what's real and what's...
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  • Griffith Review 82: Animal Magic
    Whether it's man's best friend or the king of the jungle, animals occupy a central place in our social, emotional, and cultural lives. We're happy as clams or pigs in mud; we hold our horses or take a lion's share of what we want; we avoid the elephant in the room or try not to open a can of worms....
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  • Griffith Review 81: The Leisure Principle
    In 1930, John Maynard Keynes spelt out a vision of the impending utopia. Work, he said, will become a thing of the past. 'For the first time since creation,' he predicted, 'man will be faced with his real, his permanent problem - how to occupy the leisure which science...will have won for him.' So where did this vision of future...
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  • Griffith Review 84: Attachment Styles
    The attachments we form shape our experience of the world and our understanding of who we are. Hell is other people, wrote Jean-Paul Sartre, his point being less about misanthropy and more about how entwined our self-perception is with the ways in which others perceive us. And alongside our personal relationships – from filial to friendship, from collegiate to romantic...
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  • Griffith Review 80: Creation Stories
    The capacity to tell stories—along with language and the ability to create art—is seen as both intrinsic and unique to the human species. Over thousands of years, we've forged narratives of our origins, our journeys, and our dreams as a means of accounting for who we are and to define our place in the world. In the twenty-first century, as...
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  • Griffith Review 88: Culture Vultures
    There's no escaping the onslaught of content these days. But it seems increasingly tricky to determine what's good and what's not as we stream, tap and swipe our way through our endless entertainment feeds. How can we tell our own taste? Have we reached the end of culture? What place does criticism occupy in this ever-shifting landscape? From page to...
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  • Griffith Review 83: Past Perfect
    The past, famously, is a foreign country—but in the twenty-first century, it's one in which we increasingly seek solace. No matter the relentless pace of technological innovation and the digitisation of everything from money to media, our appetites for retro design and aesthetics, for cultural products that reimagine technicolour-dream versions of decades gone by, or for fantasies of a past...
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  • Griffith Review 92: Lost and Found
    Loss, wrote Marcus Aurelius, 'is nothing else but change'. We lose face, lose time, lose heart, lose touch, lose ground, lose our keys (often); we can lose the things that hold us back or weigh us down, just as we can lose the people and places we love most. Loss, whether it offers us pain or reward, is fundamental to...
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  • Griffith Review 85: Status Anxiety
    Like the answer to a riddle, status is all around us, but it can't always be seen or heard. The silent switchboard behind our professional and personal interactions, status dictates our place on the guest list, in the room, at the table; through its connections to class, race and gender, it affords some of us power and wealth and others...
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  • Griffith Review 86: Leaps of Faith
    To take a leap of faith is to bet your belief on an unknown future. But belief is central to the human experience; whether it's religious, political, societal, philosophical or spiritual, the act of believing can be a lodestar, a comfort, a ritual, a guiding principle, a reason for living. We place our faith in everything from gods and mortals...
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  • Griffith Review 90: Best Dressed
    No matter how much or how little you care about what you wear, your sartorial choices are inextricably stitched into your social, cultural and personal identities. Clothing not only dictates how we define ourselves and relate to others throughout history, it's also been a mode of expression, resistance, revolution and disruption.Put on your Sunday best for Griffith Review 90: Best...
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  • Griffith Review 91: On The Money
    Money talks but it doesn't always speak the truth. It's also far more than a medium of exchange and a store of value: money is a status symbol, a friendship destroyer, an opportunity creator, a psychological blocker, an obsession, a dream, a curse, an albatross and an elephant in the room. And if money makes the world go round, it's...
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Book Details

INFORMATION

ISBN: 9781923213227

Publisher: Griffith REVIEW

Format: Paperback / softback

Date Published: 04 August 2026

Country: Australia

Imprint: Griffith REVIEW

Illustration: Illustrations

Contributors:

  • Edited by Carody Culver
  • Contributions by Nathan mudyi Sentance

Audience: General / adult

DIMENSIONS

Width: 153.0mm

Height: 234.0mm

Weight: 0g

Pages: 196

Collections

Arts & Culture Biography & Memoir Non-Fiction Poetry Series: Griffith Review

About the Author

Carody Culver is a writer, editor and literary interviewer. Her work has appeared in Australian Book Review, Meanjin, Sydney Review of Books, Kill Your Darlings and elsewhere. Her chapbook, The Morgue I Think the Deader It Gets, was published by Cordite in 2022, and she’s been a featured Australian poet on the Best American Poetry blog. A former contributing editor for Peppermint magazine, she is currently the editor of Griffith Review.

Nathan mudyi Sentance is Wiradjuri man from the Mowgee clan who grew up on Darkinjung Country, NSW. Nathan works to ensure that First Nations stories being told cultural and memory institutions, such galleries, libraries, archives, and museums are being told and controlled by First Nations people. He is a member of the Indigenous Archive Collective.

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