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Dreamlands

Immersive Cinema and Art, 1905–2016
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Dreamlands offers a fascinating survey of pioneering work in experimental cinema and art from 1905 to the present day. This richly illustrated volume explores how filmmakers and artists have expanded the material and conceptual boundaries of cinema with innovative experiments in film's material, optical, abstract, spatial, and tactile properties. Essays within examine cinematic space, screen formats, animation, CGI, the body and cyborg, and film's materiality, emphasising cinema as a sensorium that shapes human experience. Rarely seen stills and concept drawings complement the scholarly analysis.
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This book is ideal for students and enthusiasts of experimental film, art history, and cinema studies who wish to understand the transformative potential of film as an artistic medium over the last century.

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A fascinating survey of pioneering work in experimental cinema and art from 1905 to the present day, revealing the high stakes and transformative potential of these forms

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Dreamlands by Chrissie Iles offers a fascinating survey of pioneering work in experimental cinema and art from 1905 to the present day, revealing the high stakes and transformative potential of these forms.

This generously illustrated publication surveys the work of filmmakers and artists who have pushed the material and conceptual boundaries of cinema. Over the past century, the material, optical, abstract, spatial, and tactile properties of film have been tested at a level of experimentation and utopian ambition that is generally unrecognized. Whether creating synesthetic or 3-D environments, projective or non-projective installations, generations of leading-edge artists have explored how technology transforms experience.

The essays published here offer an intensive look at the themes of cinematic space, formats of the screen, animation and CGI, the body and the cyborg, and the materiality of film. Contributors place particular emphasis on the idea of the cinema as a sensorium and on the ways in which it defines the human body, both through representation and in relation to the projected image. An immersive plate section brings together rarely seen and previously unpublished stills, in addition to concept drawings from historic and contemporary films.

Distributed for the Whitney Museum of American Art

Exhibition Schedule:

Whitney Museum of American Art, New York
(10/28/16–02/05/17)

Book Details

INFORMATION

ISBN: 9780300221879

Publisher: Yale University Press

Format: Hardback

Date Published: 03 January 2017

Country: United States

Imprint: Yale University Press

Illustration: 300 color + 100 b-w illus.

Contributors:

  • Foreword by Adam D. Weinberg
  • Contributions by Karen Archey
  • Contributions by Giuliana Bruno
  • Contributions by John Canemaker
  • Contributions by Brian Droitcour
  • Contributions by Noam M. Elcott
  • Contributions by Tom Gunning
  • Contributions by J. Hoberman

Audience: General / adult, Tertiary education, Professional and scholarly

DIMENSIONS

Width: 229.0mm

Height: 305.0mm

Weight: 1928g

Pages: 256

About the Author

Chrissie Iles is Anne and Joel Ehrenkranz Curator at the Whitney Museum of American Art, New York.

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