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Keeping Time

Dialogues on music and archives in honour of Linda Barwick
Brief Description
Keeping Time: Dialogues on music and archives in Honour of Linda Barwick explores current issues in ethnomusicology and the archiving and repatriation of ethnographic field recordings. The 19 chapters by 36 authors consider archiving practices as a site of interaction between researchers and cultural heritage communities;... Read More
Format: Paperback / softback
$8999
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Keeping Time: Dialogues on music and archives in Honour of Linda Barwick explores current issues in ethnomusicology and the archiving and repatriation of ethnographic field recordings.

The 19 chapters by 36 authors consider archiving practices as a site of interaction between researchers and cultural heritage communities; cross-disciplinary approaches to understanding song; and the role of musical transcription in non-Western music.

This volume is international in scope with case studies with Indigenous and minority peoples from Papua New Guinea, China, India, the Torres Strait and mainland Aboriginal Australia; the latter being the focus of the majority of chapters.

Topics include the revival of songs from early written sources, creation of new songs based in old genres, the concept of β€œsing” in other languages, spirits as the origin of song knowledge, and how to manage ethnographic records over time. Keeping Time approaches Indigenous practices from a range of disciplines, including linguistics, history and performing arts, as well as Indigenous Studies, cultural revitalisation (including reclamation of Indigenous languages), Indigenous knowledge and application to climate change.

Offered in honour of Emeritus Professor Linda Barwick, the founder of the Indigenous Music, Language and Performing Arts series, Keeping Time offers a diverse range of opinions on ethnographic research practices and their value to society.

There are 3 audio examples available to be listened to here:

Series: Indigenous Music, Language and Performing Arts

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  • Yuupurnju
    Yuupurnju: A Warlpiri Song Cycle documents a ceremonial song cycle situated within the traditional kurdiji "shield" ceremony, as sung by Warlpiri Elder Henry Cooke Anderson Jakamarra at Lajamanu, Northern Territory, in 2013. The song cycle relates to a women's jukurrpa Dreaming narrative and tells the story of a group of ancestral women on a journey across the country. Jakamarra performed...
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  • Vitality and Change in Warlpiri Songs
    Warlpiri songs hold together the ceremonies that structure and bind social relationships, and encode detailed information about Warlpiri country, cosmology and kinship. Today, only a small group of the oldest generations has full knowledge of ceremonial songs and their associated meanings, and there is widespread concern about the transmission of these songs to future generations.While musical and cultural change is...
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  • The Old Songs are Always New
    Approximately 1300 ethnographic field recordings of Tiwi songs, made between 1912 and 1981, are archived at the Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS) in Canberra. In November 2009, Genevieve Campbell and eleven Tiwi colleagues travelled to Canberra to reclaim these archived songs and song texts. The Old Songs are Always New explores their return home to...
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  • Keeping Time
    Keeping Time: Dialogues on music and archives in Honour of Linda Barwick explores current issues in ethnomusicology and the archiving and repatriation of ethnographic field recordings. The 19 chapters by 36 authors consider archiving practices as a site of interaction between researchers and cultural heritage communities; cross-disciplinary approaches to understanding song; and the role of musical transcription in non-Western music....
    Paperback
    $8999
    Available
    Ships in 4-6 weeks
  • Music, Dance and the Archive
    Music, Dance and the Archive interrogates historical access and responses to archives by showing how Indigenous performing artists and community members, and academic researchers (Indigenous and non-Indigenous) are collaborating to bring life to objects that have been stored in archives. It highlights the relationship between music and dance, as embodied forms of culture, and records in archives, bringing together interdisciplinary...
    Paperback
    $4499
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Book Details

INFORMATION

ISBN: 9781743329504

Publisher: Sydney University Press

Format: Paperback / softback

Date Published: 01 November 2024

Country: Australia

Imprint: Sydney University Press

Illustration: Bibliography; 38 Figures

Contributors:

  • Edited by Amanda Harris
  • Edited by Nick Thieberger
  • Edited by Sally Treloyn
  • Edited by Myfany Turpin

Audience: General / adult, Professional and scholarly

DIMENSIONS

Width: 178.0mm

Height: 254.0mm

Weight: 250g

About the Author

Nick Thieberger is an Associate Professor in Linguistics at the University of Melbourne, and the Director of PARADISEC.

Amanda Harris is an ARC Future Fellow at Sydney Conservatorium of Music, The University of Sydney and Director of the Sydney Unit of PARADISEC.

Sally Treloyn is an Associate Professor in ethnomusicology and intercultural research in the Wilin Centre for Indigenous Arts and Cultural Development at the University of Melbourne.

Myfany Turpin is an Associate Professor in ethnomusicology and linguistics at Sydney Conservatorium of Music, The University of Sydney.

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