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Carbon Transfer Printing

A Step-by-Step Manual, Featuring Contemporary Carbon Printers and Their Creative Practice
Book Hero Magic crafted this summary to help describe this book. While it's new and still learning, it may not be perfect - your feedback is welcome! Summary
Carbon Transfer Printing explores one of the earliest photographic processes that provided permanent printing methods for over 150 years. The book offers an extensive history of carbon transfer and related pigment techniques in black and white and colour. It serves as a comprehensive guide for beginners mastering the craft and experienced printers seeking advanced methods. Featuring 175 photographs, it covers practical how-to instructions, digital negatives, workplace organisation, supplies, UV light choices, troubleshooting, and multi-layer printing for tonal or full-colour images. The second part shares insights and techniques from contemporary carbon printers, making it both a historical and practical resource.
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Format: Paperback / softback
$13200
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?

This title is ideal for photography enthusiasts, artists, and printmakers interested in alternative and historical printing methods. It suits both beginners wishing to learn carbon transfer printing and experienced practitioners eager to expand their expertise with modern digital adaptations and advanced techniques.

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Carbon Transfer Printing is a book about one of the earliest photographic processes that provided the first permanent printing methods, available in one form or another for over 150 years. This book reviews the extensive history of carbon transfer and related pigment processes in both monochrome and color.

Book Hero Magic formatted this description to make it easier to read. While it's new and still learning, it may not be perfect - your feedback is welcome! Description

Carbon Transfer Printing is a book about one of the earliest photographic processes that provided the first permanent printing methods, available in one form or another for over 150 years. This book reviews the extensive history of carbon transfer and related pigment processes in both monochrome and colour, serving as a point source for a new carbon printer to begin to master the craft of carbon printing, as well as providing new material for experienced carbon printers to expand their techniques. The book includes never-before-published information on pre-sensitising carbon tissue with newly identified compounds, information on the safe use and disposal of hexavalent chromium compounds, and simplified methods of producing 3-colour carbon prints.

Carbon Transfer Printing is divided into two parts, illustrated with 175 photographs. Part One is a complete how-to on the carbon transfer process, from simple to complex, with a troubleshooting guide and an extensive chapter on digital negatives. Part Two is devoted to contemporary carbon printers who share their methods and secrets to creating their beautiful carbon prints.

Topics that the book covers are:

  • Key events in carbon’s history
  • How to organise the carbon workplace
  • Sections on necessary supplies and equipment
  • A step-by-step digital method of making high-quality digital negatives
  • Simple and advanced methods of carbon printing
  • How to make carbon tissue, including several methods of pre-sensitising
  • How to choose UV light sources for printing in carbon
  • Step-by-step processing directions
  • How to prepare final support papers
  • Troubleshooting carbon
  • Multi-layer printing to add tone, or make a full-colour carbon print
  • Finishing and final presentation of carbon prints
  • A gallery of images and advice from contemporary carbon printers

Carbon Transfer Printing is designed for both the beginning carbon enthusiast and the advanced practitioner. Backed with extensive research on carbon printing from books, journals, and magazine articles from the 1800s to the present day, alongside the extensive personal experience in carbon printing of the authors, there is enough information in this book to provide inspiration and proof of both the glorious past of carbon printmaking and its enduring importance to a new generation of image makers who value the handmade print.

Series: Contemporary Practices in Alternative Process Photography

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  • Carbon Transfer Printing
    Carbon Transfer Printing is a book about one of the earliest photographic processes that provided the first permanent printing methods, available in one form or another for over 150 years. This book reviews the extensive history of carbon transfer and related pigment processes in both monochrome and colour, serving as a point source for a new carbon printer to begin...
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    Available
    Ships in 4-6 weeks
  • Platinotype
    Platinotype: Making Photographs in Platinum and Palladium with the Contemporary Printing-out Process describes the mechanisms and chemistry of platinum/palladium printing in safe and practical ways. Clearly presented formulae allow the printer to work with platinum, palladium, or varying combinations of both. The printed-out image appears fully during exposure and only requires simple and safe steps for clearing to a stable,...
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  • Platinotype
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  • Cyanotype
    Cyanotype: The Blueprint in Contemporary Practice is a two-part book on the much-admired blueprint process. Part One is a comprehensive how-to on the cyanotype process for both beginner and advanced practitioners, featuring many photographs and clear, step-by-step directions and formulas. Part Two highlights contemporary artists who are using cyanotype, making work that ranges from the photographic to the abstract, from...
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    Digital Negatives with QuadToneRIP is a text that fully explores how the QuadToneRIP printer driver can be used to make expert digital negatives. The book takes a comprehensive, "under-the-hood" look at how Roy Harrington’s QTR printer driver can be adapted for use by artists in several different creative practice areas. The text is written from the Mac/Photoshop point of view....
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  • Cyanotype Toning
    Cyanotype is the most accessible and frequently used of all the alternative photographic processes. When utilised properly, it has the potential to rival other processes in terms of detail and tonal range, but its Prussian blue colour isn’t always suitable for the final photograph. Throughout history, cyanotype prints have been toned with various—and at times hazardous—chemicals, as well as more...
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  • Cyanotype Toning
    Cyanotype is the most accessible and frequently used of all the alternative photographic processes. When utilised properly, it has the potential to rival other processes when it comes to detail and tonal range, but its Prussian blue colour isn’t always suitable for the final photograph. Throughout history, cyanotype prints have been toned not only with various—and at times hazardous—chemicals but...
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  • The Experimental Darkroom
    The Experimental Darkroom is a book focused on traditional black & white photographic materials—darkroom chemistry and silver gelatin paper—now used in many non-traditional ways. The book starts with a comprehensive digital negatives chapter. Topics are divided into five sections: cameraless experimentation, camera experimentation, printing experimentation, finished print experimentation, and a section highlighting contemporary photographers who use these approaches today. Each...
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  • Gum Printing
    Gum Printing: A Step-by-Step Manual Highlighting Artists and Their Creative Practice is a two-part book on gum bichromate written by the medium’s leading expert, Christina Z. Anderson. Section One provides a step-by-step description of the gum printing process. From setting up the "dimroom" (no darkroom required!) to evaluating finished prints, it walks the reader through everything that is needed to...
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  • Kallitype, Vandyke Brown, and Argyrotype
    Focusing on three iron-silver processes—kallitype, Vandyke Brown, and argyrotype—Kallitype, Vandyke Brown, and Argyrotype will guide readers through how to create prints using these accessible and historic processes in the digital age. Often termed the Brownprint processes, author Donald W. Nelson provides step-by-step detail on how to create prints using kallitype, Vandyke brown, and argyrotype methods, including information on the materials...
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Book Details

INFORMATION

ISBN: 9781138353831

Publisher: Taylor & Francis Ltd

Format: Paperback / softback

Date Published: 30 September 2019

Country: United Kingdom

Imprint: CRC Press

Illustration: 2 Tables, black and white; 4 Line drawings, color; 175 Halftones, color; 179 Illustrations, color; 2 Illustrations, black and white

Audience: Tertiary education, Professional and scholarly

DIMENSIONS

Width: 203.0mm

Height: 254.0mm

Weight: 660g

Pages: 266

About the Author

Sandy King has been a fine art photographer since the early 1970s, printing with carbon transfer, kallitype, platinum/palladium and Van Dyke. For over two decades, King has devoted much of his time to carbon printing with publication of personal work in Photovision, Silvershotz and View Camera, conducting carbon printing workshops, and author of numerous publications. To see his work, visit www.sandykingphotography.com

Don Nelson has been a large format photographer since 1976, using 8x10, 7x17, and 12x20 inch cameras. Nelson has been an alternative process printer for the past three decades, using primarily carbon and platinum/palladium since 1991, although he has experimented with most alternative processes.

John Lockhart was inspired by the platinum work of Paul Outerbridge which led him to handcrafted printmaking and ultimately carbon transfer. In his work, Lockhart combines the authenticity and immediacy of documentary and street photography with a painstaking approach to printing each image as a handcrafted artifact. Lockhart is also involved in preserving, evolving, and teaching the craft. To see his work, visit www.johnlockhart.net

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