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American Documentary Filmmaking in the Digital Age
Depictions of War in Burns, Moore, and Morris
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American Documentary Filmmaking in the Digital Age
$37600
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?
This book is suited for readers interested in documentary film, visual culture, historical narration, and the impact of digital technology on media representation.
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Description
American Documentary Filmmaking in the Digital Age examines the recent challenges to the conventions of realist documentary through the lens of war documentary films by Ken Burns, Michael Moore, and Errol Morris.
During the twentieth century, the invention of new technologies of audiovisual representation such as cinema, television, video, and digital media have transformed the modes of historical narration. This transformation has forced historians to assess the impact of new visual technologies on the construction of history.
This book investigates the manner in which this contemporary Western "crisis" in historical narrative is produced by a larger epistemological shift in visual culture. Ricciardelli uses the theme of war as depicted in these directorsβ films to focus her study and examine the model(s) of national identity that Burns, Morris, and Moore shape through their depictions of US military actions.
She examines how postcolonial critiques of historicism and the advent of digitization have affected the narrative structure of documentary film and the shaping of historical consciousness through cinematic representation.
Series: Routledge Advances in Film Studies
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American Documentary Filmmaking in the Digital Age
American Documentary Filmmaking in the Digital Age examines the recent challenges to the conventions of realist documentary through the lens of war documentary films by Ken Burns, Michael Moore, and Errol Morris. During the twentieth century, the invention of new technologies of audiovisual representation such as cinema, television, video, and digital media have transformed the modes of historical narration. This...Hardback$37600Unit price /UnavailableAvailableShips in 4-6 weeks -
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Since its inception, cinema has evolved into not merely a 'reflection' but an indispensable index of human experienceβespecially our experience of time's passage, of the present moment, and, most importantly perhaps, of the past, in both collective and individual terms. In this volume, Kilbourn provides a comparative theorisation of the representation of memory in both mainstream Hollywood and international art...Hardback$37600Unit price /UnavailableAvailableShips in 4-6 weeks -
Narratives of Cultural Identity in Contemporary Arab Cinema
Narratives of Cultural Identity in Contemporary Arab Cinema examines emerging cinema from the Gulf Cooperation Council (GCC) and recent diasporic/transnational productions from the Levant. Although several books have been written on Arab cinema, there remains a need to consider the role of the emerging film industry in the GCC countries, or states in which cinema production is relatively scant. Academic...Hardback$34899Unit price /UnavailableAvailableShips in 4-6 weeks
Book Details
INFORMATION
ISBN: 9780415840125
Publisher: Taylor & Francis Ltd
Format: Hardback
Date Published: 18 December 2014
Country: United Kingdom
Imprint: Routledge
Illustration: 20 Halftones, black and white
Audience: Tertiary education
DIMENSIONS
Width: 152.0mm
Height: 229.0mm
Weight: 385g
Pages: 174
About the Author
Lucia Ricciardelli is Assistant Professor in the School of Film and Photography at Montana State University, US.
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