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Summary
The book features an essay by Peter Nadas titled Loaned Landscapes, Borrowed Objects. The Space of the Image and the Image of Space in Mikael Olsson's Photography, further enriching the visual narrative.
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Mikael Olsson
$10000
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Book Hero Magic created this recommendation. While it's new and still learning, it may not be perfect - your feedback is welcome! IS THIS YOUR NEXT READ?
This book will appeal to readers interested in contemporary art, photography, architecture, and interdisciplinary cultural studies.
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Book Hero Magic formatted this description to make it easier to read. While it's new and
still learning, it may not be perfect - your
feedback is welcome!
Description
In on - auf, the Swedish artist Mikael Olsson undertakes a photographic interpretation of the Swiss architects Herzog & de Meuron's and the Chinese artist Ai Weiwei's temporary pavilion at the Serpentine Gallery in London. By investigating the traces of their creative processes in their archives, and exploring the relation between the structure and its various contexts, Olsson creates images that follow and go beyond the object—a visual narrative uncovering issues of memory, identity, and perception.
The book includes an essay by author Peter Nadas entitled Loaned Landscapes, Borrowed Objects. The Space of the Image and the Image of Space in Mikael Olsson's Photography.
In his images, Mikael Olsson is fascinated by the tension between visual constituents and visual conventions, the reality of perception and the reality of vision, of the concrete and the abstract. Peter Nadas
Book Details
INFORMATION
ISBN: 9783958291966
Publisher: Steidl Publishers
Format: Hardback
Date Published: 24 September 2020
Country: Germany
Imprint: Steidl Verlag
Illustration: 31 colour and black and white photographs
Audience: General / adult
DIMENSIONS
Width: 260.0mm
Height: 330.0mm
Weight: 920g
Pages: 84
Collections
About the Author
Mikael Olsson was born in 1969 in Lerum and is based in Stockholm, Sweden. He studied photography at the University of Gothenburg. In his previous work Södrakull Frösakull (Steidl, 2011), he portrays the relationship between man, nature and architecture in a series of images that invoke questions concerning memory, space, time and structures. In addition to solo exhibitions including those at the Hasselblad Center, Gothenburg, Galerie Nordenhake, Berlin/Stockholm, and Arthur Ross Gallery Columbia University, New York City, Olsson has lectured at ETH Zürich.
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