{"title":"Wole Soyinka","description":"\u003cp\u003e\u003cstrong\u003eWole Soyinka\u003c\/strong\u003e offers a rich literary journey through plays, novels, and essays that explore profound themes of culture, politics, and identity. His works, such as \u003cem\u003eDeath and the King's Horseman\u003c\/em\u003e and \u003cem\u003eThe Interpreters\u003c\/em\u003e, delve into the complexities of African society, tradition, and modernity with sharp insight and poetic depth.\u003c\/p\u003e\n\n\u003cp\u003eReaders can expect thought-provoking narratives that blend history, philosophy, and the arts, reflecting on both individual and collective experiences. 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No one else can write such a book\u003c\/b\u003e - Ben Okri\u003c\/p\u003e\n\n\u003cp\u003e\u003cb\u003eA high-jinks state-of-the-nation novel\u003c\/b\u003e - Chibundu Onuzo\u003c\/p\u003e\n\n\u003cp\u003e\u003cb\u003eA \u003ci\u003eFINANCIAL TIMES\u003c\/i\u003e AND \u003ci\u003eSPECTATOR\u003c\/i\u003e BOOK OF THE YEAR\u003c\/b\u003e\u003c\/p\u003e\n\n\u003cp\u003eA towering figure in world literature, Wole Soyinka aims directly at the corridors of power as he warns against corruption both of high office and of the soul, with a dazzling lightness of touch and gleeful irreverence.\u003c\/p\u003e\n\n\u003cp\u003eMuch to Doctor Menka’s horror, some cunning entrepreneur has decided to sell body parts from his hospital for use in ritualistic practices. Already at the end of his tether from the horrors he routinely sees in surgery, he shares this latest development with his oldest college friend, bon viveur, star engineer and Yoruba royal, Duyole Pitan-Payne, who has never before met a puzzle he couldn’t solve. 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He asks hard questions about racial attitudes, inter-ethnic and religious violence, the viability of nations whose boundaries were laid out by outsiders, African identity on the continent and among displaced Africans, and more. 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It puts exciting political theatre back on the agenda ... a masterpiece of 20th century drama.\u003c\/b\u003e – \u003ci\u003eThe Guardian\u003c\/i\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003ci\u003eDeath and the King's Horseman\u003c\/i\u003e revolves around Elesin Oba, the King's Horseman, who has a single destiny. Upon the death of the King, it is his duty to commit ritual suicide and lead the King’s favourite horse and dog through the passage to the world of the ancestors. 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When the King dies, he must commit ritual suicide and lead his King's favourite horse and dog through the passage to the world of the ancestors. A British Colonial Officer, Pilkings, intervenes to prevent the death and arrests Elesin.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Allen \u0026 Unwin","offers":[{"title":"Default Title","offer_id":47430514376940,"sku":"9780413333605","price":27.99,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9780413333605.jpg?v=1774766575"},{"product_id":"beyond-aesthetics-by-wole-soyinka-9780300247626","title":"Beyond Aesthetics","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003e\u003cstrong\u003eAn intimate reflection on culture and tradition, creativity and power, that draws on a lifetime’s commitment to aesthetic encounter.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe playwright, poet, essayist, novelist, and Nobel Laureate Wole Soyinka is also a longtime art collector. This book of essays offers a glimpse into the motivations of the collector, as well as a highly personal look at the politics of aesthetics and collecting. Detailing moments of first encounter with objects that drew him in and continue to affect him, Soyinka describes a world of mortals, muses, and deities that imbue the artworks with history and meaning.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eBeyond Aesthetics\u003c\/em\u003e is a passionate discussion of the role of identity, tradition, and originality in making, collecting, and exhibiting African art today. Soyinka considers objects that have stirred controversy, and he decries dogmatic efforts—whether colonial or religious—to suppress Africa’s artistic traditions. By turns poetic, provocative, and humorous, Soyinka affirms the power of collecting to reclaim tradition. 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