{"title":"Series: Women, Theatre and Performance","description":"\u003cp\u003eThe \u003cem\u003eWomen, Theatre and Performance\u003c\/em\u003e series offers a compelling exploration of female experiences and creativity within the theatrical world. Readers will find insightful analyses that challenge conventions, shedding light on how women shape and transform performance both on and off the stage.\u003c\/p\u003e\n\n\u003cp\u003eEngaging with themes of identity, representation, and cultural dynamics, this collection invites reflection on the intersection of gender and art. It is essential reading for those interested in the critical discourse surrounding feminism, theatre studies, and performance art.\u003c\/p\u003e","products":[{"product_id":"treading-the-bawds-by-gilli-bush-bailey-9780719072512","title":"Treading the bawds","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003eDrawing on feminist cultural materialist theories and historiographies, \u003cem\u003eTreading the bawds\u003c\/em\u003e analyses the collaboration between actresses Elizabeth Barry and Anne Bracegirdle and women playwrights such as Aphra Behn and Mary Pix. It traces a line of influence from the time of the first theatres royal to the rebellion that resulted in the creation of a player's co-operative.\u003c\/p\u003e\n\n\u003cp\u003eBush-Bailey offers a fresh approach to the history of women by seeing their neglected plays in the context of performance. By combining detailed analysis of selected plays within the broader context of a playhouse managed by its leading actresses, Bush-Bailey challenges the received historical and literary canons, including a radical solution to the mysterious identity of the anonymous playwright 'Ariadne'.\u003c\/p\u003e\n\n\u003cp\u003eIt is a story of female collaboration and influence with the spotlight focused on the very public world of women in the commercial business of theatre.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Hachette Aotearoa New Zealand","offers":[{"title":"Default Title","offer_id":47600914006252,"sku":"9780719072512","price":52.99,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9780719072512-treading-the-bawds.jpg?v=1777993192"},{"product_id":"women-theatre-and-performance-9780719057137","title":"Women, theatre and performance","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003eThe first in a new annual series, \u003cem\u003eWomen, Theatre and Performance\u003c\/em\u003e will consist of themed volumes on diverse aspects of women's engagement with theatre and performance. Ranging across three hundred years, the essays in this volume address key questions in women's theatre history and retrieve a number of hitherto 'hidden' histories of women performers.\u003c\/p\u003e\n\n\u003cp\u003eThis collection resituates women's largely neglected creative contribution within theatre and cultural history, challenging orthodox readings of both history and text.\u003c\/p\u003e\n\n\u003cp\u003eTopics include Susanna Centlivre and the notion of intertheatricality, gender and theatrical space, and the repositioning of women performers such as Wagner's Muse, Wilhelmina Schroeder-Devrient, the Comédie-Française's 'Mademoiselle Mars', Mme Arnould-Plessy, and the actresses of the Russian serf theatre.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Hachette Aotearoa New Zealand","offers":[{"title":"Default Title","offer_id":47601398546668,"sku":"9780719057137","price":82.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9780719057137-women-theatre-and-performance.jpg?v=1777999312"}],"url":"https:\/\/bookhero.pro\/collections\/series-women-theatre-and-performance.oembed","provider":"Book Hero","version":"1.0","type":"link"}