{"title":"Series: Theatre Makers","description":"\u003cp\u003e\u003cem\u003eTheatre Makers offers a captivating exploration of the art and craft behind the stage, inviting readers into the world of performance and dramatic expression. This series illuminates the creativity and complexity of theatrical production, blending rich storytelling with insights into cultural history and the evolution of dramatic arts.\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003eIdeal for enthusiasts of \u003cstrong\u003eArts \u0026amp; Culture\u003c\/strong\u003e and those curious about human stories brought to life through theatre, the collection spans diverse themes and styles. Whether engaging with classic texts or contemporary perspectives, readers will find inspiration and knowledge that deepen their appreciation of performance as a vital form of storytelling.\u003c\/p\u003e","products":[{"product_id":"the-moving-body-le-corps-poetique-by-jacques-lecoq-9781474244763","title":"The Moving Body (Le Corps Poétique)","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003e\u003ci\u003eIn life, I want students to be alive and on stage I want them to be artists\u003c\/i\u003e - Jacques Lecoq\u003c\/p\u003e\n\n\u003cp\u003eJacques Lecoq was one of the most inspirational theatre teachers of our age. In \u003ci\u003eThe Moving Body\u003c\/i\u003e, he shares with us first-hand his unique philosophy of performance, improvisation, masks, movement, and gesture, which together form one of the greatest influences on contemporary theatre.\u003c\/p\u003e\n\n\u003cp\u003eNeutral mask, character mask and counter masks, \u003ci\u003ebouffons\u003c\/i\u003e, acrobatics, \u003ci\u003ecommedia\u003c\/i\u003e, clowns and complicity: all the famous Lecoq techniques are covered in this book - techniques that have made their way into the work of former collaborators and students including Dario Fo, Ariane Mnouchkine, Yasmina Reza, and Theatre de Complicite.\u003c\/p\u003e\n\n\u003cp\u003eThe book contains a foreword by Simon McBurney, a critical introduction by Mark Evans, and an afterword by Fay Lecoq, Director of the International Theatre School in Paris.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Allen \u0026 Unwin","offers":[{"title":"Default Title","offer_id":47341349503212,"sku":"9781474244763","price":45.99,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/24585153482712.jpg?v=1772190013"},{"product_id":"the-paris-manuscript-by-michael-chekhov-9781350437371","title":"The Paris Manuscript","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003e\u003cstrong\u003eIn the early 1930s, during his first years of exile and 20 years before the publication of his seminal work \u003ci\u003eTo the Actor\u003c\/i\u003e, Michael Chekhov made his first incursion into the challenging task of writing about an actor’s experience and his vision of the craft.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis important, though largely forgotten, work (the so-called \u003cem\u003eParis Manuscript\u003c\/em\u003e) was handwritten in German. In it, we find Chekhov laying the groundwork for the canon of exercises and practices that, nearly a century later, has widely become known as the Michael Chekhov Technique. Although never completed, the manuscript affords a privileged fly-on-the-wall glimpse of the dawning of an artistic genius’s creative vision.\u003c\/p\u003e\n\n\u003cp\u003eThis manuscript was the result of Chekhov’s rich collaboration with Swiss theatre director, painter and illustrator Georgette Boner. The text itself is supplemented with facsimile scans of manuscript pages, photographs, correspondence and other material from Boner’s personal archive.\u003c\/p\u003e\n\n\u003cp\u003eAs the popularity of the Michael Chekhov Technique continues to spread globally, the \u003cem\u003eParis Manuscript\u003c\/em\u003e offers a timely invitation for actors to take a step back and (re)discover for themselves the structural foundations of Michael Chekhov's vision.\u003c\/p\u003e\n\n\u003cp\u003eChekhov’s text has been translated, edited and abridged by Hugo Moss, co-founder and director of Michael Chekhov Brasil. He has written an introduction and a series of short essays, ‘Reflections From the Studio’, which build on a few key elements emerging from the manuscript and over a decade of exploring Chekhov's artistic legacy in the studio environment and in performance.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Allen \u0026 Unwin","offers":[{"title":"Default Title","offer_id":47428301979884,"sku":"9781350437371","price":43.99,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9781350437371.jpg?v=1774497120"},{"product_id":"revolutionary-messages-by-antonin-artaud-9781350179011","title":"Revolutionary Messages","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003ePublished here in its entirety in English, \u003ci\u003eArtaud’s Revolutionary Messages\u003c\/i\u003e collects Antonin Artaud’s political, aesthetic, and philosophical writings during his travels to Mexico in 1936.\u003c\/p\u003e\n\n\u003cp\u003eWritten around the same time as his seminal work \u003ci\u003eThe Theatre and its Double\u003c\/i\u003e, it captures a crucial point in Artaud's life shortly before he was admitted to a mental asylum in which he was to spend a significant part of his later life.\u003c\/p\u003e\n\n\u003cp\u003e\u003ci\u003eRevolutionary Messages\u003c\/i\u003e contains conferences that Artaud gave at the University of Mexico, articles from the daily Mexican newspaper \u003ci\u003eEl Nacional Revolucionario\u003c\/i\u003e, and a study of three seminal artists of the time influenced by or from Mexico: Franz Hals, Ortiz Monasterio, and Maria Izquierdo.\u003c\/p\u003e\n\n\u003cp\u003eNot only will you gain crucial insight into Artaud’s time in Mexico and his vision of a “total revolution,” which he places in distinction to Marxist and Surrealist conceptions of revolution, but you will deepen your understanding of the philosophical roots of his theatrical project, which ultimately shaped modern theatre and dance.\u003c\/p\u003e\n\n\u003cp\u003eThe publication includes an introduction by the translator, Joel White, and a preface by Professor of European Philosophy, Howard Caygill.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Allen \u0026 Unwin","offers":[{"title":"Default Title","offer_id":47432244429036,"sku":"9781350179011","price":51.99,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9781350179011.jpg?v=1774555523"},{"product_id":"notes-from-a-working-class-playwright-by-leo-butler-9781350429468","title":"Notes from a Working-Class Playwright","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003e\u003cstrong\u003eAward-winning British playwright Leo Butler looks back over 25 years of writing for the stage and his extensive experience teaching and mentoring emerging playwrights through the Royal Court Young Writers' Programme.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eWith honesty and humour, Leo Butler shares his experiences from his working-class upbringing in Sheffield, including his disastrous state education, his years on the dole, to his breakthrough into the professional theatre industry.\u003c\/p\u003e\n\n\u003cp\u003eThis personal account criss-crosses his life and career, exploring the influences and experiences that informed critically acclaimed plays such as \u003cem\u003eRedundant\u003c\/em\u003e, \u003cem\u003eI'll Be the Devil\u003c\/em\u003e, \u003cem\u003eLucky Dog\u003c\/em\u003e and, more recently, \u003cem\u003eBoy\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp\u003eThroughout, Butler includes a wealth of tips and practical exercises, tried and tested on his students, to help the reader with their own playwriting development; discusses the challenges of how to actually make a living from this work; and considers how the landscape has changed today from 25 years ago.\u003c\/p\u003e\n\n\u003cp\u003eThrough recollections of collaborations with professional peers and ex-students (including Polly Stenham, Anya Reiss, and Nick Payne), Leo Butler gives an insight into the intricacies of the early 21st century theatre scene in which playwriting skills were developed and shared. He also includes excerpts from personal rejection letters, rehearsal notes and his notebooks to bring his playwriting journey to life.\u003c\/p\u003e\n\n\u003cp\u003eBrutally honest, often surreal, often funny, this book will entertain and inspire anyone who has ever thought of writing a play, or is interested in the life and practice of a playwright.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Allen \u0026 Unwin Aotearoa New Zealand","offers":[{"title":"Default Title","offer_id":47455663816940,"sku":"9781350429468","price":49.99,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/71QZ0n1Z3VL._SL1500.jpg?v=1774790553"},{"product_id":"the-theatre-and-its-double-by-antonin-artaud-9781350288713","title":"The Theatre and its Double","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003eIn \u003ci\u003eThe Theatre and Its Double\u003c\/i\u003e, first published in 1938, Antonin Artaud puts forward his radical theories on drama and theatre, which he saw as being stifled by conservatism and a lack of experimentation.\u003c\/p\u003e\n\n\u003cp\u003eContaining the famous manifestos of the ‘Theatre of Cruelty’, this collection of essays analyses the underlying impulses of performance, provides suggestions on a physical-training method for actors, and features a long appreciation of the expressive values of Eastern dance drama.\u003c\/p\u003e\n\n\u003cp\u003eThis new English translation of Artaud's canonical text by Mark Taylor-Batty retains the idiosyncratic nature of the author's writing, communicating its fervour and ambition, while achieving a much-needed clarity.\u003c\/p\u003e\n\n\u003cp\u003eThrough doing so, it facilitates a fuller appreciation of Artaud’s artistic objectives and the original context in which they grew, aided by a newly translated set of his notes and drafts, and a selection of letters to his publisher, friends and associates concerning the book's genesis and the evolution of the concept of a ‘Theatre of Cruelty’.\u003c\/p\u003e\n\n\u003cp\u003eThe commentary further contextualizes this material within Artaud’s broader oeuvre, from his collaboration with the Surrealist group through to his plans to stage his own adaptation of Percy Shelley’s \u003ci\u003eLes Cenci\u003c\/i\u003e in 1935.\u003c\/p\u003e\n\n\u003cp\u003eA welcome addition to any theatre-lover's or student's bookshelf, this translation of Artaud’s classic text offers clear and faithful insights into Artaud's theatre.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Allen \u0026 Unwin","offers":[{"title":"Default Title","offer_id":47461651153132,"sku":"9781350288713","price":38.99,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9781350288713-the-theatre-and-its-double.jpg?v=1774974267"},{"product_id":"the-dramaturgy-of-space-by-ramon-griffero-9781350235595","title":"The Dramaturgy of Space","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003eIn Ramón Griffero’s seminal work, \u003ci\u003eThe Dramaturgy of Space\u003c\/i\u003e, the playwright and director describes his aesthetic philosophy and theoretical approach to theatrical creation, illustrating his theory through practical application in a series of exercises.\u003c\/p\u003e\n\n\u003cp\u003eAs well as touching upon some of Griffero’s own work, like \u003ci\u003eCinema Utopia\u003c\/i\u003e (1985), \u003ci\u003eTus deseos en fragmentos\u003c\/i\u003e (2003), \u003ci\u003eFin del eclipse\u003c\/i\u003e (2007) and \u003ci\u003eEl azar de la fiesta\u003c\/i\u003e (1992), this book also reinforces the practicality of Griffero’s concepts through a series of online videos. These videos break down each exercise, allowing readers to engage with the effects of his celebrated approach.\u003c\/p\u003e\n\n\u003cp\u003ePublished here in English for the first time, in a translation by the leading expert on Griffero, \u003ci\u003eThe Dramaturgy of Space\u003c\/i\u003e reveals the internationally renowned Chilean artist’s thought process, and how his practice has influenced the theatrical, political, and social context, from the Pinochet dictatorship to the present day.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Allen \u0026 Unwin","offers":[{"title":"Default Title","offer_id":47464314765548,"sku":"9781350235595","price":51.99,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9781350235595-the-dramaturgy-of-space.jpg?v=1775046722"},{"product_id":"notes-from-the-rehearsal-room-by-nancy-meckler-9781350282209","title":"Notes from the Rehearsal Room","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003eRenowned theatre and film director Nancy Meckler delves into her hugely varied experiences in the rehearsal room and shares examples of tried-and-tested “tools” to bring a play to life.\u003c\/p\u003e\n\n\u003cp\u003eMeckler encourages you to interrogate, play, experiment and to use her methods as a starting point to begin creating your own unique directing toolkit and finding your own style.\u003c\/p\u003e\n\n\u003cp\u003eThe examples are drawn from her experience directing a range of work from classic plays, including work by Chekhov, Brecht and Shakespeare, to new writing, including work by Pam Gems and Sam Shepard, and in a wide range of renowned theatres, including the RSC, National Theatre, Royal Court and a number of the UK's regional theatres.\u003c\/p\u003e\n\n\u003cp\u003eThe author's approachable and relatable writing style enables an in-depth look into how she works with actors and the many ways in which she may approach a new project, while also providing a unique insight into her own wealth of experience over a remarkable career as an award-winning and internationally celebrated director.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eNotes from the Rehearsal Room\u003c\/em\u003e offers an engaging perspective from an expert in the field, making it a valuable read for anyone interested in the world of theatre directing.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Allen \u0026 Unwin","offers":[{"title":"Default Title","offer_id":47597359530220,"sku":"9781350282209","price":45.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/609e1d171662552e05d862bf0735bad7.jpg?v=1777959360"},{"product_id":"the-art-of-resonance-by-anne-bogart-9781350155893","title":"The Art of Resonance","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003e\u003ci\u003eWhat is artistic resonance and how can it be linked to one's life and one's art?\u003c\/i\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis latest book of essays from legendary theatre director Anne Bogart considers the creation of resonance in the artistic endeavour, with a focus on the performing arts.\u003c\/p\u003e\n\n\u003cp\u003eThe word 'resonance' comes from the Latin meaning to 're-sound' or 'sound together'. From music to physics, resonance is a common thread that evokes a response and, in general, is understood as a quality that makes something personally meaningful and valuable.\u003c\/p\u003e\n\n\u003cp\u003eFor Bogart, curiosity is a key personal quality to be nurtured throughout life and that very same curiosity, as an artist, thinker and human being.\u003c\/p\u003e\n\n\u003cp\u003eCreating pathways between performance theory, art history, neuroscience, music, architecture and the visual arts, and consistently forging new thought-paths, the writing draws upon Anne Bogart's own life and artistic journeys to illuminate potent philosophical ideas.\u003c\/p\u003e\n\n\u003cp\u003eWoven with personal anecdotes, stories and reflections, \u003ci\u003eThe Art of Resonance\u003c\/i\u003e is a book that will be of interest to any theatre artist and anyone who reflects on the power of the arts, of theatre-making and what it means to be engaged in the artistic process.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Allen \u0026 Unwin","offers":[{"title":"Default Title","offer_id":47599091286252,"sku":"9781350155893","price":49.99,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/8d4c52afbeb4ddb3edefe4a6b5d2bd2d.jpg?v=1778037677"},{"product_id":"theatre-across-borders-by-abhishek-majumdar-9781350195288","title":"Theatre Across Borders","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003e\u003ci\u003eIs there a fundamental connection between New York's Elevator Repair Service's 9-hour production of\u003c\/i\u003e The Great Gatsby \u003ci\u003eand a Kathakali performance?\u003c\/i\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003ci\u003eHow can we come to appreciate the slowness of Kabuki theatre as much as the pace of the Whatsapp theatre of post-Arab Spring Turkey?\u003c\/i\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003ci\u003eCan we go beyond our own culture's contemporary definition of a 'good play' and think about theatre in a deep and pluralistic manner?\u003c\/i\u003e\u003c\/p\u003e\n\n\u003cp\u003eDrawing on his extensive experience working with theatre artists, students, and thinkers across the globe—up to and including an hour-long audience with the Dalai Lama—playwright Abhishek Majumdar considers why we make theatre and how we see it in different parts of the world.\u003c\/p\u003e\n\n\u003cp\u003eHis own work has taken him from theatre in Japan to dance companies in the Philippines, writers in Lebanon and Palestine, theatre groups in Burkina Faso, war-torn areas like Kashmir and North Eastern India, and to China and Tibet, Argentina, and Mexico.\u003c\/p\u003e\n\n\u003cp\u003eVia a far-reaching and provocative collection of essays that is informed by this wealth of experience, Majumdar explores:\u003c\/p\u003e\n\n\u003cul\u003e\n    \u003cli\u003ehow different cultures conceive theatre and how the norm of one place is the experiment of another;\u003c\/li\u003e\n    \u003cli\u003ethe ways in which theatre across the world mirrors its socio-political and philosophical climate;\u003c\/li\u003e\n    \u003cli\u003ehow, for thousands of years, theatre has been a tool to both disrupt and to heal;\u003c\/li\u003e\n    \u003cli\u003eand how, even within the many differences, there are universals from which we can all learn and how theatre does cross borders.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eOf interest to theatre makers everywhere—be they writers, actors, directors, or designers—this book offers an oversight, as well as an interrogation, into the place of theatre in the world today.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Allen \u0026 Unwin","offers":[{"title":"Default Title","offer_id":47599111536876,"sku":"9781350195288","price":54.99,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/e138a71bca81c44c382d0178063909e5.jpg?v=1778024490"},{"product_id":"the-collected-essays-of-arthur-miller-by-arthur-miller-9781472591739","title":"The Collected Essays of Arthur Miller","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003eThis comprehensive volume brings together essays by one of the most influential literary, cultural, and intellectual voices of our time: Arthur Miller.\u003c\/p\u003e\n\n\u003cp\u003eArranged chronologically from 1944 to 2000, these writings take the reader on a whirlwind tour of modern history while offering a remarkable record of Miller's views on theatre. They eloquently express his belief in \"the theatre as a serious business, one that makes or should make man more human, which is to say, less alone\". Published with the essays are articles that Miller had written and in-depth interviews he has given.\u003c\/p\u003e\n\n\u003cp\u003eThis collection features material from two earlier publications: \u003ci\u003eEchoes Down the Corridor\u003c\/i\u003e and \u003ci\u003eThe Theater Essays of Arthur Miller\u003c\/i\u003e. It is edited and includes a new introduction by Matthew Roudané, Regents Professor of American Drama at Georgia State University.\u003c\/p\u003e\n\n\u003cp\u003e\u003ci\u003eArthur Miller understands that serious writing is a social act as well as an aesthetic one, that political involvement comes with the territory. A writer’s work and his actions should be of the same cloth, after all. 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