{"title":"Series: The Television Series","description":"\u003cp\u003e\u003cstrong\u003eThe Television Series\u003c\/strong\u003e collection offers a diverse exploration of subjects ranging from \u003cem\u003ePhilosophy \u0026amp; Psychology\u003c\/em\u003e and \u003cem\u003eFinance \u0026amp; Investment\u003c\/em\u003e to \u003cem\u003eComputing \u0026amp; Technology\u003c\/em\u003e and \u003cem\u003eHistory \u0026amp; Military\u003c\/em\u003e. Each title invites readers to delve into unique perspectives, whether through in-depth analysis, practical guidance, or imaginative storytelling.\u003c\/p\u003e\n\n\u003cp\u003eBlending educational insight with engaging narratives, this series caters to curious minds eager to expand their understanding across multiple fields. Readers can expect thought-provoking themes and enriching content that stimulates both intellect and creativity.\u003c\/p\u003e","products":[{"product_id":"joss-whedon-by-matthew-pateman-9780719077814","title":"Joss Whedon","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003eThis book assesses Joss Whedon's contribution to US television and popular culture. Examining everything from his earliest work to his most recent tweets and activist videos, it explores his complex and contradictory roles as both cult outsider and blockbuster filmmaker.\u003c\/p\u003e\n\n\u003cp\u003eCrucially, \u003cem\u003eJoss Whedon\u003c\/em\u003e insists on the wider industrial, technological, political, and economic contexts that have both influenced and been influenced by Whedon, rejecting the notion of Whedon as an isolated television auteur.\u003c\/p\u003e\n\n\u003cp\u003eUsing key source material, with exclusive access to drafts of many of the episodes across Whedon's career, as well as unique correspondence with Whedon collaborator Jane Espenson, this book offers unparalleled access to the creative process that helped produce the series \u003cem\u003eBuffy the Vampire Slayer\u003c\/em\u003e, \u003cem\u003eAngel\u003c\/em\u003e, \u003cem\u003eDollhouse\u003c\/em\u003e, and \u003cem\u003eFirefly\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp\u003eEnergetic, engaging, and informed by detailed scholarship and theoretical rigour, the book is not just an essential addition to the study of Whedon, but a timely and important re-invigoration of television studies in general.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Hachette Aotearoa New Zealand","offers":[{"title":"Default Title","offer_id":46844312846572,"sku":"9780719077814","price":59.99,"currency_code":"NZD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/27993173482443.jpg?v=1758834015"},{"product_id":"troy-kennedy-martin-by-lez-cooke-9780719067037","title":"Troy Kennedy Martin","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003eThis is the first full-length study of the screenwriter Troy Kennedy Martin, whose work for film and television includes \u003cem\u003eZ Cars\u003c\/em\u003e, \u003cem\u003eThe Italian Job\u003c\/em\u003e, \u003cem\u003eKelly's Heroes\u003c\/em\u003e, \u003cem\u003eThe Sweeney\u003c\/em\u003e, \u003cem\u003eReilly - Ace of Spies\u003c\/em\u003e, and \u003cem\u003eEdge of Darkness\u003c\/em\u003e. With a career spanning six decades, Troy Kennedy Martin has witnessed the rise and fall of the television dramatist, making his debut in the era of studio-based television drama in the late 1950s prior to the transition to filmed drama (for which he argued in a famous manifesto) as the television play was gradually replaced by popular series and serials, for which Kennedy Martin did some of his best work.\u003c\/p\u003e\n\n\u003cp\u003eDrawing on original interviews with Kennedy Martin and his collaborators, the book provides a comprehensive analysis of the film and television career of one of Britain's leading screenwriters. Also included is a chapter examining Kennedy Martin's significant contribution to innovative and experimental television drama—his 1964 'Nats Go Home' polemic and the six-part serial, \u003cem\u003eDiary of a Young Man\u003c\/em\u003e, plus his 1986 MacTaggart Lecture which anticipated recent developments in television style and technology.\u003c\/p\u003e\n\n\u003cp\u003eWritten in an easily accessible style, this book will appeal to anyone with an interest in television drama, screenwriting, and the history of British television over the last fifty years.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Hachette Aotearoa New Zealand","offers":[{"title":"Default Title","offer_id":46846880743660,"sku":"9780719067037","price":49.99,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/27885403482443.jpg?v=1758926360"},{"product_id":"alan-bennett-by-kara-mckechnie-9780719068065","title":"Alan Bennett","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003e\u003cem\u003eAlan Bennett\u003c\/em\u003e is one of the UK's most well-known and successful writers. His oeuvre is one where populist art forms and intellectually complex arguments co-exist seamlessly, allowing the work to appeal to a wide audience. Bennett's familiar voice combines both an appreciation for the past with a critical assessment of contemporary Britain, often through relentlessly detailed observation of himself and of others.\u003c\/p\u003e\n\n\u003cp\u003eBennett has acted, written, directed, presented or edited in almost every conceivable dramatic medium, including stage, television, radio, film and print media. This book is the first to focus on his often neglected work for television, from the mid-1960s right through to the present.\u003c\/p\u003e\n\n\u003cp\u003eIt encompasses formats such as the single play (the rarely seen 1970s collaborations with Stephen Frears and Lindsay Anderson), the two \u003cem\u003eTalking Heads\u003c\/em\u003e series, perceived as a reinvention of the television monologue, and his autobiographical documentaries.\u003c\/p\u003e\n\n\u003cp\u003eWhile providing a context of television drama in which Bennett's output is embedded, this study also provides compact overviews of his work in other media. The book is intended for those interested in Alan Bennett, his many voices and the history of television drama.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Hachette Aotearoa New Zealand","offers":[{"title":"Default Title","offer_id":47595657560300,"sku":"9780719068065","price":56.99,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9780719068065-alan-bennett.jpg?v=1777899355"},{"product_id":"lynda-la-plante-by-julia-hallam-9780719065491","title":"Lynda La Plante","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003e\u003cem\u003eLynda La Plante\u003c\/em\u003e is Britain's most successful and well-known screenwriter and the first woman to win the prestigious Dennis Potter writer's award. Attracting millions of viewers, the popular and critical success of La Plante's work is central to understanding changes that shook the UK television industry in the late twentieth century.\u003c\/p\u003e\n\n\u003cp\u003eThis critical introduction, the first account of her work, focuses on three innovative serials: \u003cem\u003eWidows\u003c\/em\u003e (ITV, 1983), \u003cem\u003ePrime Suspect\u003c\/em\u003e (ITV 1991) and \u003cem\u003eTrial and Retribution\u003c\/em\u003e (ITV 1997). In each chapter, questions of gender and genre, acting and stardom, and authorship and value are mapped against the changing relationship between women and the television industry.\u003c\/p\u003e\n\n\u003cp\u003eThe final chapter traces La Plante's metamorphosis from 'just a writer for hire' to the astute businesswoman she has become, through a focus on the trans-national appeal of dramas such as \u003cem\u003eKiller Net\u003c\/em\u003e (C4 1997) and \u003cem\u003eBella Mafia\u003c\/em\u003e (CBS 1997).\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Hachette Aotearoa New Zealand","offers":[{"title":"Default Title","offer_id":47596800082156,"sku":"9780719065491","price":46.99,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9780719065491-lynda-la-plante.jpg?v=1777942665"},{"product_id":"trevor-griffiths-by-john-tulloch-9780719068591","title":"Trevor Griffiths","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003e\u003cem\u003eTrevor Griffiths\u003c\/em\u003e has been a critical force in British television writing for over three decades. His successes have included the series \u003cem\u003eBill Brand\u003c\/em\u003e (1976), his adaptations of \u003cem\u003eSons and Lovers\u003c\/em\u003e and \u003cem\u003eThe Cherry Orchard\u003c\/em\u003e (1981), and his television plays, \u003cem\u003eThe Comedians\u003c\/em\u003e (1979), \u003cem\u003eHope in the Year Two\u003c\/em\u003e (1994), and \u003cem\u003eFood for Ravens\u003c\/em\u003e (1997).\u003c\/p\u003e\n\n\u003cp\u003eDuring his creative life, he has negotiated the issues of genre, politics, identity, class, history, memory, and televisual form with a sustained creativity and integrity second to none. He has paralleled this career with one equally as eminent in the theatre, as well as slightly more problematic forays into film-writing for Warren Beatty's \u003cem\u003eReds\u003c\/em\u003e and Ken Loach's \u003cem\u003eFatherland\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp\u003eJohn Tulloch's incisive and wide-ranging volume is a perfect entry point not only for students of Griffiths' oeuvre, but also for anyone entering the discourses of television, media, and cultural studies.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Hachette Aotearoa New Zealand","offers":[{"title":"Default Title","offer_id":47600928162028,"sku":"9780719068591","price":49.99,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9780719068591-trevor-griffiths.jpg?v=1777993262"}],"url":"https:\/\/bookhero.pro\/collections\/series-the-television-series.oembed","provider":"Book Hero","version":"1.0","type":"link"}