{"title":"Series: Contemporary Practices in Alternative Process Photography","description":"\u003cp\u003e\u003cem\u003eContemporary Practices in Alternative Process Photography\u003c\/em\u003e invites readers to explore innovative and experimental approaches that challenge the conventions of traditional photography. This series delves into the artistic, technical, and conceptual facets of alternative photographic methods, offering insights into how contemporary artists reimagine image-making.\u003c\/p\u003e\n\n\u003cp\u003ePerfect for photographers, artists, and enthusiasts alike, the collection emphasises creativity and craftsmanship while engaging with broader themes across philosophy, technology, and history. Readers can expect a rich dialogue between technique and vision, reflecting the dynamic nature of modern photographic expression.\u003c\/p\u003e","products":[{"product_id":"carbon-transfer-printing-by-sandy-king-9781138353831","title":"Carbon Transfer Printing","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003e\u003cem\u003eCarbon Transfer Printing\u003c\/em\u003e is a book about one of the earliest photographic processes that provided the first permanent printing methods, available in one form or another for over 150 years. This book reviews the extensive history of carbon transfer and related pigment processes in both monochrome and colour, serving as a point source for a new carbon printer to begin to master the craft of carbon printing, as well as providing new material for experienced carbon printers to expand their techniques. The book includes never-before-published information on pre-sensitising carbon tissue with newly identified compounds, information on the safe use and disposal of hexavalent chromium compounds, and simplified methods of producing 3-colour carbon prints.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eCarbon Transfer Printing\u003c\/em\u003e is divided into two parts, illustrated with 175 photographs. Part One is a complete how-to on the carbon transfer process, from simple to complex, with a troubleshooting guide and an extensive chapter on digital negatives. Part Two is devoted to contemporary carbon printers who share their methods and secrets to creating their beautiful carbon prints.\u003c\/p\u003e\n\n\u003cp\u003eTopics that the book covers are:\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eKey events in carbon’s history\u003c\/li\u003e\n  \u003cli\u003eHow to organise the carbon workplace\u003c\/li\u003e\n  \u003cli\u003eSections on necessary supplies and equipment\u003c\/li\u003e\n  \u003cli\u003eA step-by-step digital method of making high-quality digital negatives\u003c\/li\u003e\n  \u003cli\u003eSimple and advanced methods of carbon printing\u003c\/li\u003e\n  \u003cli\u003eHow to make carbon tissue, including several methods of pre-sensitising\u003c\/li\u003e\n  \u003cli\u003eHow to choose UV light sources for printing in carbon\u003c\/li\u003e\n  \u003cli\u003eStep-by-step processing directions\u003c\/li\u003e\n  \u003cli\u003eHow to prepare final support papers\u003c\/li\u003e\n  \u003cli\u003eTroubleshooting carbon\u003c\/li\u003e\n  \u003cli\u003eMulti-layer printing to add tone, or make a full-colour carbon print\u003c\/li\u003e\n  \u003cli\u003eFinishing and final presentation of carbon prints\u003c\/li\u003e\n  \u003cli\u003eA gallery of images and advice from contemporary carbon printers\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cem\u003eCarbon Transfer Printing\u003c\/em\u003e is designed for both the beginning carbon enthusiast and the advanced practitioner. Backed with extensive research on carbon printing from books, journals, and magazine articles from the 1800s to the present day, alongside the extensive personal experience in carbon printing of the authors, there is enough information in this book to provide inspiration and proof of both the glorious past of carbon printmaking and its enduring importance to a new generation of image makers who value the handmade print.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Taylor \u0026 Francis","offers":[{"title":"Default Title","offer_id":47605171159276,"sku":"9781138353831","price":132.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9781138353831-carbon-transfer-printing.jpg?v=1778126018"},{"product_id":"chrysotype-by-leanne-mcphee-9781138345003","title":"Chrysotype","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003e\u003cem\u003eChrysotype\u003c\/em\u003e is about photographic printing in gold on paper. This 19th-century printing process, modified for contemporary use, provides artists with an affordable way to produce permanent prints in gold. By using film or digital negatives, striking hand-coated prints can be created in monochromatic hues ranging from pink, violet, magenta and purple, to green, blue, grey and black.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eChrysotype\u003c\/em\u003e offers a how-to guide for intermediate practitioners with illustrated examples and simple explanations for each stage of the chrysotype process. The book is divided into three sections: history; preparation and how-to; and the work of contemporary artists using chrysotype.\u003c\/p\u003e\n\n\u003cp\u003eThis book includes:\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eA concise account of the invention and modification of the chrysotype process, including early discoveries about gold and colour and the significance of moisture for printing in gold\u003c\/li\u003e\n  \u003cli\u003eHow to set up your workspace for printing, including useful equipment and materials\u003c\/li\u003e\n  \u003cli\u003eAdvice on safe chemical practice\u003c\/li\u003e\n  \u003cli\u003eA step-by-step guide to creating suitable digital and film negatives\u003c\/li\u003e\n  \u003cli\u003eGuidance on paper selection and how to successfully coat paper\u003c\/li\u003e\n  \u003cli\u003eAn overview guide to creating a chrysotype print\u003c\/li\u003e\n  \u003cli\u003eStep-by-step directions for creating the chrysotype solutions\u003c\/li\u003e\n  \u003cli\u003eAn explanation of mixing ratios and solution volumes that control contrast\u003c\/li\u003e\n  \u003cli\u003eAn illustrated explanation of the effect of humidity on colour, including split tone colours and ways to control humidity\u003c\/li\u003e\n  \u003cli\u003eStep-by-step directions on post-exposure hydration to lengthen tonal range and lower contrast\u003c\/li\u003e\n  \u003cli\u003eStep-by-step tray processing directions\u003c\/li\u003e\n  \u003cli\u003eAdvanced techniques such as handling translucent papers, additional chrysotype formulas and procedures, and alternative developing agents that support longer development, colour formation and remedy problems that affect image quality\u003c\/li\u003e\n  \u003cli\u003eTroubleshooting chrysotype printing, including advice and photographic examples\u003c\/li\u003e\n  \u003cli\u003eIllustrated profiles of contemporary artists making chrysotype prints, including their methods and tips\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cem\u003eChrysotype\u003c\/em\u003e serves to inform, encourage and challenge a new generation of alternate process practitioners and a growing chrysotype community, from the newly curious to the experienced professional.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Taylor \u0026 Francis","offers":[{"title":"Default Title","offer_id":47605227749612,"sku":"9781138345003","price":118.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9781138345003-chrysotype.jpg?v=1778127281"},{"product_id":"cyanotype-by-christina-anderson-9781138338845","title":"Cyanotype","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003e\u003cem\u003eCyanotype: The Blueprint in Contemporary Practice\u003c\/em\u003e is a two-part book on the much-admired blueprint process. Part One is a comprehensive how-to guide on the cyanotype process for both beginner and advanced practitioners, with abundant photographs and clear, step-by-step directions and formulas. Part Two highlights contemporary artists who use cyanotype, creating work that ranges from the photographic to the abstract, from the traditional to the conceptual, with tips on their personal cyanotype methods alongside their work. These artists illustrate cyanotype’s widespread use in contemporary photography today, probably the most of any alternative process.\u003c\/p\u003e\n\n\u003cp\u003eBook features include:\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eA brief discussion of the practice of the process with some key historical points\u003c\/li\u003e\n  \u003cli\u003eHow to set up the cyanotype \"dimroom\"\u003c\/li\u003e\n  \u003cli\u003eThe most extensive discussion of suitable papers to date, with data from over 100 papers\u003c\/li\u003e\n  \u003cli\u003eStep-by-step digital negative methods for monochrome and duotone negatives\u003c\/li\u003e\n  \u003cli\u003eChapters on classic, new, and other cyanotype formulas\u003c\/li\u003e\n  \u003cli\u003eToning to create colours from yellow to brown to violet\u003c\/li\u003e\n  \u003cli\u003ePrinting cyanotype over palladium, for those who want to temper cyanotype’s blue nature\u003c\/li\u003e\n  \u003cli\u003ePrinting cyanotype on alternate surfaces such as fabric, glass, and wood\u003c\/li\u003e\n  \u003cli\u003eMore creative practice ideas for cyanotype such as hand colouring and gold leafing\u003c\/li\u003e\n  \u003cli\u003eTroubleshooting cyanotype, photographically illustrated\u003c\/li\u003e\n  \u003cli\u003eFinishing, framing, and storing cyanotype\u003c\/li\u003e\n  \u003cli\u003eContemporary artists’ advice, techniques, and works\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cem\u003eCyanotype\u003c\/em\u003e is supported by research from 120 books, journals, and magazine articles dating from 1843 to the present day. It is richly illustrated with 400 photographs from close to 80 artists from 14 countries. This guide is designed for the practitioner, from novice to expert, providing inspiration and proof of cyanotype’s original and increasing place in historical and contemporary photography.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Taylor \u0026 Francis","offers":[{"title":"Default Title","offer_id":47605576925420,"sku":"9781138338845","price":353.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/3abc57fc236684256c824a4be03dde1b.jpg?v=1788152237"},{"product_id":"cyanotype-by-christina-anderson-9781138338838","title":"Cyanotype","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003e\u003cem\u003eCyanotype: The Blueprint in Contemporary Practice\u003c\/em\u003e is a two-part book on the much-admired blueprint process. Part One is a comprehensive how-to on the cyanotype process for both beginner and advanced practitioners, featuring many photographs and clear, step-by-step directions and formulas.\u003c\/p\u003e\n\n\u003cp\u003ePart Two highlights contemporary artists who are using cyanotype, making work that ranges from the photographic to the abstract, from the traditional to the conceptual. This section includes tips on their personal cyanotype methods alongside their work. These artists illustrate cyanotype’s widespread use in contemporary photography today, probably the most of any alternative process.\u003c\/p\u003e\n\n\u003cp\u003eBook features include:\u003c\/p\u003e\n\n\u003cul\u003e\n    \u003cli\u003eA brief discussion of the practice of the process with some key historical points\u003c\/li\u003e\n    \u003cli\u003eHow to set up the cyanotype \"dimroom\"\u003c\/li\u003e\n    \u003cli\u003eThe most extensive discussion of suitable papers to date, with data from 100+ papers\u003c\/li\u003e\n    \u003cli\u003eStep-by-step digital negative methods for monochrome and duotone negatives\u003c\/li\u003e\n    \u003cli\u003eChapters on classic, new, and other cyanotype formulas\u003c\/li\u003e\n    \u003cli\u003eToning to create colours from yellow to brown to violet\u003c\/li\u003e\n    \u003cli\u003ePrinting cyanotype over palladium, for those who want to temper cyanotype’s blue nature\u003c\/li\u003e\n    \u003cli\u003ePrinting cyanotype on alternate surfaces such as fabric, glass, and wood\u003c\/li\u003e\n    \u003cli\u003eMore creative practice ideas for cyanotype, such as handcolouring and gold leafing\u003c\/li\u003e\n    \u003cli\u003eTroubleshooting cyanotype, photographically illustrated\u003c\/li\u003e\n    \u003cli\u003eFinishing, framing, and storing cyanotype\u003c\/li\u003e\n    \u003cli\u003eContemporary artists’ advice, techniques, and works\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cem\u003eCyanotype\u003c\/em\u003e is backed with research from 120 books, journals, and magazine articles from 1843 to the present day. It is richly illustrated with 400 photographs from close to 80 artists from 14 countries. It serves as a guide for the practitioner, from novice to expert, providing inspiration and proof of cyanotype’s original and increasing place in historical and contemporary photography.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Taylor \u0026 Francis","offers":[{"title":"Default Title","offer_id":47605576958188,"sku":"9781138338838","price":123.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/33ee92666d30b8cc92e225ba31003d28.jpg?v=1788152231"},{"product_id":"cyanotype-toning-by-annette-golaz-9780367553562","title":"Cyanotype Toning","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003eCyanotype is the most accessible and frequently used of all the alternative photographic processes. When utilised properly, it has the potential to rival other processes in terms of detail and tonal range, but its Prussian blue colour isn’t always suitable for the final photograph. Throughout history, cyanotype prints have been toned with various—and at times hazardous—chemicals, as well as more natural ingredients like tea and coffee. Since the cyanotype itself is non-toxic, \u003ci\u003eCyanotype Toning\u003c\/i\u003e champions an innovative process, developed by the author, of toning cyanotypes with natural material. This process, which is easy and reliable, offers a much broader range of possible colours and even beautiful black and whites. Duotone or tricolour prints can also be achieved.\u003c\/p\u003e\n\n\u003cp\u003eThe book consists of two parts. Part One is a step-by-step how-to section, providing all the information that a student at any level needs to achieve a successfully toned print. Easy-to-understand background information is provided on how and why the process works, enabling readers to explore the world of natural colours independently. The first part also includes a detailed section on factors that can influence the outcome, such as paper choice, water quality, properties of the plants, temperature of the bath, and the duration of the toning.\u003c\/p\u003e\n\n\u003cp\u003ePart Two is devoted to contemporary artists who have explored toning with botanicals and integrated the process into their creative practice.\u003c\/p\u003e\n\n\u003cp\u003eThe book includes:\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eA list of equipment and supplies needed.\u003c\/li\u003e\n  \u003cli\u003eIn-depth information about useful plants and the specific properties that make them suitable for toning cyanotypes.\u003c\/li\u003e\n  \u003cli\u003eConcise step-by-step instructions for printing cyanotypes successfully.\u003c\/li\u003e\n  \u003cli\u003eA chart of more than 60 tested papers with recommendations on paper choice.\u003c\/li\u003e\n  \u003cli\u003eStep-by-step generic instructions on toning with botanicals.\u003c\/li\u003e\n  \u003cli\u003eTroubleshooting toning with botanicals.\u003c\/li\u003e\n  \u003cli\u003eMore detailed recipes for specific colours with information about the plants.\u003c\/li\u003e\n  \u003cli\u003eStep-by-step instructions on how to print duotone and tricolour prints.\u003c\/li\u003e\n  \u003cli\u003eA range of creative ideas on how to use the process in classrooms and with different age groups.\u003c\/li\u003e\n  \u003cli\u003eA comprehensive list of more than 380 tested parts of plants and possible colour outcomes.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eUsing botanicals to tone cyanotypes broadens the colour spectrum, enlarges creative possibilities, and makes the cyanotype process even more versatile. The process is not a cut-and-dried science but a limitless field for discovery and surprises. \u003ci\u003eCyanotype Toning\u003c\/i\u003e provides accessible information and instructions for readers at all levels. It is comprehensive and explanatory, allowing readers to expand on the subject independently, as did the contemporary artists who share their experiences and the works they have created using this innovative toning process.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Taylor \u0026 Francis","offers":[{"title":"Default Title","offer_id":47605576990956,"sku":"9780367553562","price":353.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/ffc382f96ff25a9b61eda1462606dc17.jpg?v=1788152222"},{"product_id":"cyanotype-toning-by-annette-golaz-9780367553548","title":"Cyanotype Toning","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003eCyanotype is the most accessible and frequently used of all the alternative photographic processes. When utilised properly, it has the potential to rival other processes when it comes to detail and tonal range, but its Prussian blue colour isn’t always suitable for the final photograph. Throughout history, cyanotype prints have been toned not only with various—and at times hazardous—chemicals but also with more natural ingredients like tea and coffee. Since the cyanotype itself is non-toxic, \u003cem\u003eCyanotype Toning\u003c\/em\u003e will champion an innovative process, developed by the author, of toning cyanotypes with natural material. This process, which is easy and reliable, offers a much broader range of possible colours and even beautiful black and whites. Even duotone or tricolour prints can be attained.\u003c\/p\u003e\n\n\u003cp\u003eThe book consists of two parts. Part One is a step-by-step how-to section including all the information that a student at any level needs to achieve a successfully toned print. Easy-to-understand background information is provided on how and why the process works so that readers can venture on their own into the world of natural colours. The first part also has a detailed section on all the factors that can influence the outcome, like paper choice, water quality, properties of the plants, temperature of the bath, and the duration of the toning. Part Two is devoted to contemporary artists who have explored toning with botanicals and integrated the process into their creative practice.\u003c\/p\u003e\n\n\u003cp\u003eThe book includes:\u003c\/p\u003e\n\u003cul\u003e\n    \u003cli\u003eA list of equipment and supplies needed.\u003c\/li\u003e\n    \u003cli\u003eIn-depth information about useful plants and the specific properties that make them suitable for toning cyanotypes.\u003c\/li\u003e\n    \u003cli\u003eConcise step-by-step instructions for printing cyanotypes successfully.\u003c\/li\u003e\n    \u003cli\u003eA chart of more than 60 tested papers with recommendations on paper choice.\u003c\/li\u003e\n    \u003cli\u003eStep-by-step generic instructions on toning with botanicals.\u003c\/li\u003e\n    \u003cli\u003eTroubleshooting toning with botanicals.\u003c\/li\u003e\n    \u003cli\u003eMore detailed recipes for specific colours with information about the plants.\u003c\/li\u003e\n    \u003cli\u003eStep-by-step instructions on how to print duotone and tricolour prints.\u003c\/li\u003e\n    \u003cli\u003eA range of creative ideas on how to use the process in classrooms and with different age groups.\u003c\/li\u003e\n    \u003cli\u003eA comprehensive list of more than 380 tested parts of plants and possible colour outcomes.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eUsing botanicals to tone cyanotypes broadens the colour spectrum, enlarges creative possibilities, and makes the cyanotype process even more versatile. The process is not cut-and-dried science but a limitless field for discovery and surprises. \u003cem\u003eCyanotype Toning\u003c\/em\u003e provides accessible information and instructions for readers at all levels. It is comprehensive and explanatory, so that readers can expand on the subject on their own, as did the contemporary artists who share their experiences and the works they have created using this innovative toning process.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Taylor \u0026 Francis","offers":[{"title":"Default Title","offer_id":47605577056492,"sku":"9780367553548","price":130.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/bb4294353aaa75677f06ace87c931713.jpg?v=1788152216"},{"product_id":"digital-negatives-with-quadtonerip-by-christina-anderson-9780367862299","title":"Digital Negatives with QuadToneRIP","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003e\u003cem\u003eDigital Negatives with QuadToneRIP\u003c\/em\u003e is a text that fully explores how the QuadToneRIP printer driver can be used to make expert digital negatives. The book takes a comprehensive, \"under-the-hood\" look at how Roy Harrington’s QTR printer driver can be adapted for use by artists in several different creative practice areas. The text is written from the Mac\/Photoshop point of view.\u003c\/p\u003e\n\n\u003cp\u003eThe book is divided into three parts. Part One is a step-by-step how-to section that will appeal to both beginning and more advanced practitioners. Part One includes quickstart guides or summary sheets for beginning students who want to jump into using QTR before understanding all of its functional components. Part Two addresses dimroom, darkroom, and printmaking practices, walking the reader through brief workflows from negative to print for lithium palladium, gum bichromate, cyanotype, salted paper, kallitype, silver gelatin, and polymer photogravure, with a sample profile for each. It also includes an introduction to a new software iteration of QTR: QuickCurve-DN (QCDN). Part Three is devoted to contemporary practitioners who explain how they use QTR in their creative practice.\u003c\/p\u003e\n\n\u003cp\u003eThe book includes:\u003c\/p\u003e\n\u003cul\u003e\n  \u003cli\u003eA list of supplies and software needed\u003c\/li\u003e\n  \u003cli\u003eA summary QTR glossary with a simple explanation of how each function works\u003c\/li\u003e\n  \u003cli\u003eA sample walk-through to create a QTR profile from start to finish\u003c\/li\u003e\n  \u003cli\u003eHow to linearize profiles with simple to more exacting tools\u003c\/li\u003e\n  \u003cli\u003eA visual guide to modifying functions\u003c\/li\u003e\n  \u003cli\u003eQuickstart guides for many of the workflows\u003c\/li\u003e\n  \u003cli\u003eInstructions for crafting monochrome, duotone, tricolor, and quadcolor negatives\u003c\/li\u003e\n  \u003cli\u003eInstructions for using QTR to print silver gelatin in the darkroom\u003c\/li\u003e\n  \u003cli\u003eInstructions for using QTR to print alternative processes in the dimroom\u003c\/li\u003e\n  \u003cli\u003eInstructions for using QTR to print polymer photogravure in the printmaking room\u003c\/li\u003e\n  \u003cli\u003eIntroductory chapter to QuickCurve-DN software\u003c\/li\u003e\n  \u003cli\u003eTroubleshooting common QTR problems\u003c\/li\u003e\n  \u003cli\u003eGeneric starter profiles for processes discussed\u003c\/li\u003e\n  \u003cli\u003eContemporary artists: their work and QTR process\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eLearning how to craft expert digital negatives can be a bit overwhelming at the outset. \u003cem\u003eDigital Negatives with QuadToneRIP\u003c\/em\u003e makes the process as user-friendly as possible. Like other books in the series, \u003cem\u003eDigital Negatives with QuadToneRIP\u003c\/em\u003e is thoroughly comprehensive, accessible to different levels of learner, and illustrative of the contemporary arts.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Taylor \u0026 Francis","offers":[{"title":"Default Title","offer_id":47605597110508,"sku":"9780367862299","price":123.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9780367862299-digital-negatives-with-quadtonerip.jpg?v=1778134292"},{"product_id":"gum-printing-by-christina-anderson-9781138101500","title":"Gum Printing","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003e\u003cem\u003eGum Printing: A Step-by-Step Manual Highlighting Artists and Their Creative Practice\u003c\/em\u003e is a two-part book on gum bichromate written by the medium’s leading expert, Christina Z. Anderson. Section One provides a step-by-step description of the gum printing process. From setting up the \"dimroom\" (no darkroom required!) to evaluating finished prints, it walks the reader through everything that is needed to establish a firm gum practice with the simplest of setups at home.\u003c\/p\u003e\n\n\u003cp\u003eSection Two showcases contemporary artists’ works, illustrating the myriad ways gum is conceptualised and practised today. The works in these pages range from monochrome to colourful and from subtle to bold, representing a variety of genres, including still lifes, portraits, nudes, landscapes, urbanscapes, and more. Featuring over 80 artists and 400 full-colour images, \u003cem\u003eGum Printing\u003c\/em\u003e is the most complete overview of this dynamic and expressive medium that has yet appeared in print.\u003c\/p\u003e\n\n\u003cp\u003eKey topics covered include:\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eThe history of gum\u003c\/li\u003e\n  \u003cli\u003eSimple digital negatives for gum, platinum, and cyanotype\u003c\/li\u003e\n  \u003cli\u003ePreparing supplies\u003c\/li\u003e\n  \u003cli\u003eMaking monochrome, duotone, tricolour, and quadcolour gum prints\u003c\/li\u003e\n  \u003cli\u003ePrinting gum over cyanotype\u003c\/li\u003e\n  \u003cli\u003ePrinting gum over platinum\u003c\/li\u003e\n  \u003cli\u003eTroubleshooting gum\u003c\/li\u003e\n  \u003cli\u003eAdvice on developing a creative practice\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Taylor \u0026 Francis","offers":[{"title":"Default Title","offer_id":47605965160684,"sku":"9781138101500","price":139.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9781138101500-gum-printing.jpg?v=1778143891"},{"product_id":"kallitype-vandyke-brown-and-argyrotype-by-donald-nelson-9781032318714","title":"Kallitype, Vandyke Brown, and Argyrotype","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003eFocusing on three iron-silver processes—kallitype, Vandyke Brown, and argyrotype—\u003cem\u003eKallitype, Vandyke Brown, and Argyrotype\u003c\/em\u003e will guide readers through how to create prints using these accessible and historic processes in the digital age.\u003c\/p\u003e\n\n\u003cp\u003eOften termed the Brownprint processes, author Donald W. Nelson provides step-by-step detail on how to create prints using kallitype, Vandyke brown, and argyrotype methods, including information on the materials needed, troubleshooting issues, and examples from contemporary artists. The book consists of two parts. Part I is a step-by-step how-to section including all the information that a practitioner at any level needs to achieve successful kallitype, Vandyke brown, and argyrotype prints. Part II is devoted to contemporary artists who have integrated the process into their creative practice.\u003c\/p\u003e\n\n\u003cp\u003eThe book includes the following:\u003c\/p\u003e\n\n\u003cul\u003e\n    \u003cli\u003eA list of equipment and supplies needed\u003c\/li\u003e\n    \u003cli\u003eConcise step-by-step instructions for creating kallitype, Vandyke brown, and argyrotype prints successfully\u003c\/li\u003e\n    \u003cli\u003eTroubleshooting common issues\u003c\/li\u003e\n    \u003cli\u003eA range of creative ideas on how to use the processes in the classroom\u003c\/li\u003e\n    \u003cli\u003eExamples from over 20 contemporary artists, including their prints and how they came to make them\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIdeal for students and professionals alike, this book is an accessible introduction to alternative process photography.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Taylor \u0026 Francis","offers":[{"title":"Default Title","offer_id":47606321807596,"sku":"9781032318714","price":111.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9781032318714-kallitype-vandyke-brown-and-argyrotype.jpg?v=1778151474"},{"product_id":"kallitype-vandyke-brown-and-argyrotype-by-donald-nelson-9781032318707","title":"Kallitype, Vandyke Brown, and Argyrotype","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003eFocusing on three iron-silver processes—kallitype, Vandyke Brown, and argyrotype—\u003cem\u003eKallitype, Vandyke Brown, and Argyrotype\u003c\/em\u003e will guide readers through how to create prints using these accessible and historic processes in the digital age.\u003c\/p\u003e\n\n\u003cp\u003eOften termed the Brownprint processes, author Donald W. Nelson provides step-by-step detail on how to create prints using kallitype, Vandyke brown, and argyrotype methods. This includes information on the materials needed, troubleshooting issues, and examples from contemporary artists. The book consists of two parts. Part I is a step-by-step how-to section including all the information that a practitioner at any level needs to achieve successful kallitype, Vandyke brown, and argyrotype prints. Part II is devoted to contemporary artists who have integrated the process into their creative practice.\u003c\/p\u003e\n\n\u003cp\u003eThe book includes the following:\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eA list of equipment and supplies needed\u003c\/li\u003e\n  \u003cli\u003eConcise step-by-step instructions for creating kallitype, Vandyke brown, and argyrotype prints successfully\u003c\/li\u003e\n  \u003cli\u003eTroubleshooting common issues\u003c\/li\u003e\n  \u003cli\u003eA range of creative ideas on how to use the processes in the classroom\u003c\/li\u003e\n  \u003cli\u003eExamples from over 20 contemporary artists, including their prints and how they came to make them\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eIdeal for students and professionals alike, this book is an accessible introduction to alternative process photography.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Taylor \u0026 Francis","offers":[{"title":"Default Title","offer_id":47606321873132,"sku":"9781032318707","price":353.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9781032318707-kallitype-vandyke-brown-and-argyrotype.jpg?v=1778151486"},{"product_id":"platinotype-by-pradip-malde-9780367415952","title":"Platinotype","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003e\u003cem\u003ePlatinotype: Making Photographs in Platinum and Palladium with the Contemporary Printing-out Process\u003c\/em\u003e describes the mechanisms and chemistry of platinum\/palladium printing in safe and practical ways. Clearly presented formulae allow the printer to work with platinum, palladium, or varying combinations of both. The printed-out image appears fully during exposure and only requires simple and safe steps for clearing to a stable, archival state.\u003c\/p\u003e\n\n\u003cp\u003eThe authors explain what makes the image, how all necessary components are prepared and used, and the kind of paper and negative needed to make prints. More than just a technical manual, the book underscores the authors' belief that printing is a creative, scientific, and philosophic way of working. The book presents an outstanding collection of prints by over 40 artists, all made with this printing-out process. The artists' notes and comments offer insights into their methods and thinking, with a large number of full-page reproductions serving as a valuable reference for the aspiring printer.\u003c\/p\u003e\n\n\u003cp\u003eThe book includes:\u003c\/p\u003e\n\u003cul\u003e\n    \u003cli\u003eA list of supplies and equipment\u003c\/li\u003e\n    \u003cli\u003eA detailed chemical glossary\u003c\/li\u003e\n    \u003cli\u003eA Quick-start section in the Preface\u003c\/li\u003e\n    \u003cli\u003eSummary sheets and workflows for each step of the process\u003c\/li\u003e\n    \u003cli\u003eInstructions for making traditional negatives with Pyro PMK and digital negatives\u003c\/li\u003e\n    \u003cli\u003eExplanation of the chemistry and dynamics of paper, and how to use buffered papers\u003c\/li\u003e\n    \u003cli\u003eInstructions for controlling hydration processes and humidity\u003c\/li\u003e\n    \u003cli\u003eInstructions for preparing each chemical solution needed for the process\u003c\/li\u003e\n    \u003cli\u003eDiscussion about the aesthetics of the platinum\/palladium print\u003c\/li\u003e\n    \u003cli\u003eExplanation of the relationships between light, image, and expression\u003c\/li\u003e\n    \u003cli\u003eA detailed troubleshooting list\u003c\/li\u003e\n    \u003cli\u003eRecommendations from conservators about processing, handling, and conservation\u003c\/li\u003e\n    \u003cli\u003eContemporary artists using the printing-out platinum\/palladium process\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eLearning how to make platinum\/palladium prints has been cloaked in a mystique of difficulty. \u003cem\u003ePlatinotype\u003c\/em\u003e presents the process as a set of clearly explained and defined steps. Like other books in the series, \u003cem\u003ePlatinotype\u003c\/em\u003e is a detailed and inspiring manual, accessible to both novices and experts, and illustrative of the contemporary arts.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Taylor \u0026 Francis","offers":[{"title":"Default Title","offer_id":47607377166572,"sku":"9780367415952","price":123.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/1f41e3c36bf15c24d0dbb06943a26ca4.jpg?v=1778189911"},{"product_id":"platinotype-by-pradip-malde-9780367415938","title":"Platinotype","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003e\u003cem\u003ePlatinotype: Making Photographs in Platinum and Palladium with the Contemporary Printing-out Process\u003c\/em\u003e describes the mechanisms and chemistry of platinum\/palladium printing in safe and practical ways. Clearly presented formulae allow the printer to work with platinum, palladium, or varying combinations of both. The printed-out image appears fully during exposure and only requires simple and safe steps for clearing to a stable, archival state.\u003c\/p\u003e\n\n\u003cp\u003eThe authors explain what makes the image, how all necessary components are prepared and used, and the kind of paper and negative needed to make prints. More than just a technical manual, the book underscores the authors' belief that printing is a creative, scientific, and philosophic way of working. The book presents an outstanding collection of prints by over 40 artists, all made with this printing-out process. The artists' notes and comments offer insights into their methods and thinking, and a large number of full-page reproductions serve as a valuable reference for the aspiring printer.\u003c\/p\u003e\n\n\u003cp\u003eThe book includes:\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eA list of supplies and equipment\u003c\/li\u003e\n  \u003cli\u003eA detailed chemical glossary\u003c\/li\u003e\n  \u003cli\u003eA Quick-start section in the Preface\u003c\/li\u003e\n  \u003cli\u003eSummary sheets and workflows for each step of the process\u003c\/li\u003e\n  \u003cli\u003eInstructions for making traditional negatives with Pyro PMK and digital negatives\u003c\/li\u003e\n  \u003cli\u003eExplanation of the chemistry and dynamics of paper, and how to use buffered papers\u003c\/li\u003e\n  \u003cli\u003eInstructions for controlling hydration processes and humidity\u003c\/li\u003e\n  \u003cli\u003eInstructions for preparing each chemical solution needed for the process\u003c\/li\u003e\n  \u003cli\u003eDiscussion about the aesthetics of the platinum\/palladium print\u003c\/li\u003e\n  \u003cli\u003eExplanation of the relationships between light, image, and expression\u003c\/li\u003e\n  \u003cli\u003eA detailed troubleshooting list\u003c\/li\u003e\n  \u003cli\u003eRecommendations from conservators about processing, handling, and conservation\u003c\/li\u003e\n  \u003cli\u003eContemporary artists using the printing-out platinum\/palladium process\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eLearning how to make platinum\/palladium prints has been cloaked in a mystique of difficulty. \u003cem\u003ePlatinotype\u003c\/em\u003e presents the process as a set of clearly explained and defined steps. Like other books in the series, \u003cem\u003ePlatinotype\u003c\/em\u003e is a detailed and inspiring manual, accessible to both novices and experts, and illustrative of the contemporary arts.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Taylor \u0026 Francis","offers":[{"title":"Default Title","offer_id":47607377592556,"sku":"9780367415938","price":353.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/2045a038063a36def025e5050942c7ee.jpg?v=1778189905"},{"product_id":"salted-paper-printing-by-christina-anderson-9781138280212","title":"Salted Paper Printing","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003e\u003cem\u003eSalted Paper Printing: A Step-by-Step Manual Highlighting Contemporary Artists\u003c\/em\u003e makes one of the oldest known photographic processes easy for the 21st century using simple digital negative methods.\u003c\/p\u003e\n\n\u003cp\u003eChristina Z. Anderson’s in-depth discussion begins with a history of salted paper printing, then covers the salted paper process from beginner to intermediate level, with step-by-step instructions and an illustrated troubleshooting guide. Including cameraless imagery, hand-colouring, salt in combination with gum, and printing on fabric, \u003cem\u003eSalted Paper Printing\u003c\/em\u003e contextualises the practice within the varied alternative processes. Anderson offers richly-illustrated profiles of contemporary artists making salted paper prints, discussing their creative process and methods.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eSalted Paper Printing\u003c\/em\u003e is perfect for the seasoned photographer looking to dip their toe into alternative processes, or for the photography student eager to engage with photography’s rich history.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Taylor \u0026 Francis","offers":[{"title":"Default Title","offer_id":47607535829228,"sku":"9781138280212","price":423.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9781138280212-salted-paper-printing.jpg?v=1778170367"},{"product_id":"salted-paper-printing-by-christina-anderson-9781138280229","title":"Salted Paper Printing","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003e\u003cem\u003eSalted Paper Printing: A Step-by-Step Manual Highlighting Contemporary Artists\u003c\/em\u003e makes one of the oldest known photographic processes easy for the 21st century using simple digital negative methods.\u003c\/p\u003e\n\n\u003cp\u003eChristina Z. Anderson’s in-depth discussion begins with a history of salted paper printing, then covers the salted paper process from beginner to intermediate level, with step-by-step instructions and an illustrated troubleshooting guide. Including cameraless imagery, hand-colouring, salt in combination with gum, and printing on fabric, \u003cem\u003eSalted Paper Printing\u003c\/em\u003e contextualises the practice within the varied alternative processes. Anderson offers richly-illustrated profiles of contemporary artists making salted paper prints, discussing their creative process and methods.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eSalted Paper Printing\u003c\/em\u003e is perfect for the seasoned photographer looking to dip their toe into alternative processes, or for the photography student eager to engage with photography’s rich history.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Taylor \u0026 Francis","offers":[{"title":"Default Title","offer_id":47607535927532,"sku":"9781138280229","price":130.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9781138280229-salted-paper-printing.jpg?v=1778170375"},{"product_id":"the-experimental-darkroom-by-christina-anderson-9781032149578","title":"The Experimental Darkroom","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003e\u003cem\u003eThe Experimental Darkroom\u003c\/em\u003e is a book focused on traditional black \u0026amp; white photographic materials—darkroom chemistry and silver gelatin paper—now used in many non-traditional ways. The book starts with a comprehensive digital negatives chapter. Topics are divided into five sections: cameraless experimentation, camera experimentation, printing experimentation, finished print experimentation, and a section highlighting contemporary photographers who use these approaches today. Each process under discussion is accompanied by photographic examples and a step-by-step method written in a \"Just the facts, ma’am\" style.\u003c\/p\u003e\n\n\u003cp\u003eTopics included are:\u003c\/p\u003e\n\n\u003cul\u003e\n    \u003cli\u003ePhotograms and clichés verre\u003c\/li\u003e\n    \u003cli\u003eLumen prints\u003c\/li\u003e\n    \u003cli\u003eChemigrams\u003c\/li\u003e\n    \u003cli\u003ePinhole and zoneplate\u003c\/li\u003e\n    \u003cli\u003eHolgas\u003c\/li\u003e\n    \u003cli\u003eChromo\u003c\/li\u003e\n    \u003cli\u003eLiquid emulsion and modern tintype\u003c\/li\u003e\n    \u003cli\u003eLith printing\u003c\/li\u003e\n    \u003cli\u003eSabattier\u003c\/li\u003e\n    \u003cli\u003eMordançage\u003c\/li\u003e\n    \u003cli\u003eBleaching and bleachout\u003c\/li\u003e\n    \u003cli\u003eToning, traditional to experimental\u003c\/li\u003e\n    \u003cli\u003eApplied color and abrasion tone\u003c\/li\u003e\n    \u003cli\u003eEncaustic, photomontage, and collage\u003c\/li\u003e\n    \u003cli\u003eBromoil\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cem\u003eThe Experimental Darkroom\u003c\/em\u003e encourages taking risks and having fun. Over 400 images and 71 artists are included in its 276 pages. The outcome will be an expansion of creative options for the silver gelatin print. The options are engaging and now more accessible with digital negatives. Images are no longer solely captured in camera or on analog film. The darkroom is no longer always dark. The print is no longer a pristine and accurate rendition of what the camera sees. Photographers are pushing the boundaries of black \u0026amp; white photographic practice. It is an exciting time to get into the darkroom and play!\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Taylor \u0026 Francis","offers":[{"title":"Default Title","offer_id":47607944249580,"sku":"9781032149578","price":329.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/a008cf7391c59e834fb97e78537b1177.jpg?v=1778186268"},{"product_id":"the-handmade-silver-gelatin-emulsion-print-by-denise-ross-9780815349907","title":"The Handmade Silver Gelatin Emulsion Print","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003e\u003cem\u003eThe Handmade Silver Gelatin Emulsion Print\u003c\/em\u003e is a cookbook of simple, basic recipes for making black and white printing paper and paper negatives, along with creative options for printing, toning, and colouring. Author Denise Ross draws from photographic literature from the last 135 years, adapting old recipes to fit modern tools, materials, and workspaces. Modern twists have been applied to traditional techniques.\u003c\/p\u003e\n\n\u003cp\u003eThe book is divided into three sections: Section One lays the groundwork for this unique alternative process; Section Two provides the recipes; Section Three highlights contemporary silver gelatin artists.\u003c\/p\u003e\n\n\u003cp\u003eThe book features over 200 full-colour images and covers key topics including:\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eVocabulary:\u003c\/strong\u003e A list of terms used by traditional photographers and emulsion makers.\u003c\/p\u003e\n\n\u003cul\u003e\n  \u003cli\u003eCreating workspaces with the right tools and materials\u003c\/li\u003e\n  \u003cli\u003eBasic emulsion chemistry and paper coating techniques\u003c\/li\u003e\n  \u003cli\u003eWorking with various negative options, analogue and digital\u003c\/li\u003e\n  \u003cli\u003eGaslight chloride contact printing paper\u003c\/li\u003e\n  \u003cli\u003eKodabromide-type chlorobromide all-purpose paper\u003c\/li\u003e\n  \u003cli\u003eBromide enlarging paper\u003c\/li\u003e\n  \u003cli\u003eWarm tone paper and developers\u003c\/li\u003e\n  \u003cli\u003eMaking and toning your own printing-out paper (POP)\u003c\/li\u003e\n  \u003cli\u003eMatte surface and baryta coating surface paper\u003c\/li\u003e\n  \u003cli\u003ePaper negatives and making hand-drawn and digital masks\u003c\/li\u003e\n  \u003cli\u003eToning handmade paper\u003c\/li\u003e\n  \u003cli\u003eGum printing over handmade paper\u003c\/li\u003e\n  \u003cli\u003eTroubleshooting handmade paper\u003c\/li\u003e\n  \u003cli\u003eArtists working with handmade paper\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003e\u003cem\u003eThe Handmade Silver Gelatin Emulsion Print\u003c\/em\u003e is for photographers who love the look and creative potential of black and white traditional photography but who want more control over the process and the end product. It is written for both beginners and experienced photographers, with processes initially explained in such a way that anyone will feel comfortable getting started. There is also information in increasing levels of complexity so that experienced photographers who enjoy a challenge will also find one.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Unknown","offers":[{"title":"Default Title","offer_id":47608028987628,"sku":"9780815349907","price":388.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/9780815349907-the-handmade-silver-gelatin-emulsion-print.jpg?v=1778181649"}],"url":"https:\/\/bookhero.pro\/collections\/series-contemporary-practices-in-alternative-process-photography.oembed","provider":"Book Hero","version":"1.0","type":"link"}