{"title":"Caroline Damiens","description":"\u003cp\u003e\u003cstrong\u003eCaroline Damiens\u003c\/strong\u003e offers a compelling exploration of arts and culture, with a distinctive focus on film history and its broader societal impact. Her work delves into the intricate relationship between cinema and historical context, inviting readers to reconsider familiar narratives through a fresh lens.\u003c\/p\u003e\n\n\u003cp\u003eExpect thoughtful analysis that intertwines cultural insight with meticulous research, particularly in the realm of Soviet and Russian cinema. Damiens’ writing appeals to those interested in the intersection of history, politics, and the arts, providing a nuanced understanding of film as a powerful cultural force.\u003c\/p\u003e","products":[{"product_id":"a-siberian-history-of-soviet-film-by-caroline-damiens-9781350269927","title":"A Siberian History of Soviet Film","description":"\u003cdiv class=\"book-description\"\u003e\n\u003cp\u003e\u003cstrong\u003eWinner of the British Association of Film, Television and Screen Studies Best First Monograph Award\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eIn \u003cem\u003eA Siberian History of Soviet Film\u003c\/em\u003e, Caroline Damiens explores how the depictions of the indigenous 'Peoples of the North' in Soviet cinema and television evolved between 1920 and 1980.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eDamiens combines a detailed analysis of key works such as \u003cem\u003eForest People\u003c\/em\u003e (1928), \u003cem\u003eIgdenbu\u003c\/em\u003e (1930), \u003cem\u003eDersu Uzala\u003c\/em\u003e (1961 \u0026amp; 1975), \u003cem\u003eTymancha’s Friend\u003c\/em\u003e (1969) and \u003cem\u003eThe Most Beautiful Ships\u003c\/em\u003e (1972), with primary sources like press articles, archives, and interviews. She reveals how these cinematic portrayals were created and negotiated, providing insight into the concepts of progress and authenticity in the Soviet context.\u003c\/p\u003e\n\n\u003cp\u003eShe emphasises the role of indigenous individuals in shaping their cinematic image, both in front of and behind the camera, highlighting the works of lesser-known figures like Suntsai Geonka, Zinaida Pikunova, and Iurii Rytkheu. In doing so, Damiens emphasises the multifaceted nature of film, where interpretations differ based on the perspectives of those involved.\u003c\/p\u003e\n\n\u003cp\u003eUsing a decolonial approach and drawing from extensive archival materials, Damiens prompts a re-evaluation of the Soviet cinematic past and present by centring indigenous voices in the narrative. In doing so, she provides a thorough exploration of the intricate relationship between culture, representation, and identity in Soviet cinema.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Allen \u0026 Unwin Aotearoa New Zealand","offers":[{"title":"Default Title","offer_id":47933868703980,"sku":"9781350269927","price":136.0,"currency_code":"NZD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0705\/7784\/8556\/files\/13c3331e3ab9893735dfe8ac1e2e0ec5.jpg?v=1783891277"}],"url":"https:\/\/bookhero.pro\/collections\/caroline-damiens.oembed","provider":"Book Hero","version":"1.0","type":"link"}